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Introducing Saxophonist Kristin Field
by Sanford Josephson
"The first time I saw her play I was sure, at some point, she would be a lead alto saxophonist." That was the initial reaction of North Hunterdon (NJ) High School Jazz Ensemble Director Perry Andrews when he saw Kristin Field's freshman year audition in the fall of 2019. A Jazz Studies major at ...
Jovino Santos Neto: The Music Leads Itself
by Katchie Cartwright
Following a years-long recording hiatus, Brazilian-born Seattle-based Grammy-nominated pianist and composer Jovino Santos Neto released three albums in 2025, all captured live. Two are digital-only releases, both recorded in 2024: Retratos: Brazilian Portraits (Audiophile Society), a duo performance with Estonian bassoonist Martin Kuuskmann in a program of great Brazilian composers, and A Onça e o Pajé ...
Lost and Found, Part 1: historic jazz discoveries
by Larry Slater
Archaeology is the study of the ancient and recent human past through material remains. The same might be said of distant and recent jazz recordings that have been discovered. Sometimes jazz archeologists find these rarities in the archives of defunct record labels, or buried unmarked at the vast Library of Congress. Several were in the hands ...
Amina Claudine Myers, Samantha Fish, and Nels Cline
by Jerome Wilson
This program features recent music by Amina Claudine Myers and Nels Cline, older music by Paul Desmond and Trevor Tomkins, and a blues set featuring Samantha Fish. Playlist Henry Threadgill Sextett I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Amina Claudine ...
Why Is Japan a Jazz Paradise? Part 2—From Sake to Soul: Jazz Musicians and Their Love for Japan
by Atzko Kohashi
Part 1 | Part 2 In May 2025 Japan welcomed an estimated 3.693 million visitors, marking a surge in global fascination with the country--up 125% (more than double!) compared to a decade ago. Many come for the exquisite Japanese cuisine, the tranquil atmosphere of temples and shrines, the ultra-modern buzz of Tokyo, or the ...
Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation
by Artur Moral
Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...
Interpreting the Lennon / McCartney Songbook, part 4: Abbey Road & Let It Be
by Larry Slater
In this final installment of interpretations of the John Lennon and Paul McCartney songbook, we turn to music from the last few Beatles albums... The White Album, Abbey Road and Let it Be. By the end of the '60s, the Lennon/McCartney partnership had fractured beyond repair; McCartney's superior musical skills were respected but resented ...
Interpreting the Lennon/McCartney Songbook, Part 3: Sgt. Pepper
by Larry Slater
It's really no surprise that the tunes from The Beatles still attract jazz musicians, much as the music of Gershwin, Kern or Cole Porter does. Sgt Pepper's Lonely Hearts Club was a defining musical moment of the 1960s. Released in 1967, the album is one of a kind and included songs that have appealed to jazz ...
Chad Eby: A Closer Look at His Life, Work, and Tribute to a Legend
by La-Faithia White
Saxophonist Chad Eby has been a vital presence in the North Carolina jazz scene. Since 2006, he has served as Associate Professor in the Miles Davis Jazz Studies program at the university of North Carolina at Greensboro, where he plays a key role in shaping the next generation of jazz musicians. In addition to his work ...
Silke Eberhard Trio with Jan Roder and Kay Lübke: Being-A-Ning
by Mark Corroto
It is rare to describe an audio recording as brave, but that is precisely what the latest release by the Silke Eberhard Trio is--bold, fearless, and unflinchingly original. Being-A-Ning, the group's fifth album, borrows its title from Thelonious Monk's Rhythm-A-Ning," nodding to the jazz giant while continuing the trio's thematic naming convention. Previous albums--Being (2008) and ...

