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Shai Maestro Trio At BIMHUIS Amsterdam
by BIMHUIS
Shai Maestro began playing classical piano at the age of five an,d after discovering Oscar Peterson at the age of eight, he fell in love with jazz. After turning down offers from prestigious American music schools, at 19 he joined the band led by bassist Avishai Cohen featuring Mark Guiliana on drums. With that trio he ...
Kresten Osgood Quintet: Kresten Osgood Quintet Plays Jazz
by Mark Corroto
Danish drummer Kresten Osgood achieves the musical equivalent of pay-it-forward with Kresten Osgood Quintet Plays Jazz. His ensemble of up-and-coming Copenhagen musicians delivers convincing renditions of some archetypal compositions, plus three originals by the leader. The choice of music on these two discs exposes the quintet to many types of possible criticism. Listeners familiar ...
Satoko Fujii: The Kanreki Project
by Franz A. Matzner
Over four decades of experimentation, Satoko Fujii has made a lasting mark on the contours of modern jazz. The wave after wave of expressive force she has unleashed emanate from the aesthetics of her home country, but are never bound exclusively to it. They form a distinctive sound belonging only to her, yet comprised of wide-ranging ...
Big in Japan, Part 3: Satoko Fujii’s Year of Living Dangerously
by Karl Ackermann
In the first two parts of this series we looked at the origins of jazz in Japan and its adherence to the American style of composing, arranging and playing. Though jazz has been popular in Japan from the earliest days, it was--as in the United States--hardly met with unanimous approval in a country that prized classical ...
Eugenia Choe: Verdant Dream
by Dan McClenaghan
New York-based pianist Eugenia Choe released one of the finest debuts of 2017 with Magic Light (SteepleChase Records). It was a trio outing of the highest order, featuring a distinctive and interactive trio interplay with bandmates Danny Weller (bass) and Alex Wyatt (drums). Choe proved herself a fine interpreter of tunes from Billy Strayhorn and alto ...
Adam Berenson / Scott Barnum / Eric Hofbauer: Introverted Cultures
by Karl Ackermann
On his 21st album, composer/pianist/electronic artist Adam Berenson continues his string of remarkable and unpredictable projects with Introverted Cultures. His early association with Paul Bley and a broad range of influences and interests have resulted in a harvest of creative music that shapes unexpected hybrids. Here we have a drummer-less trio for the first twelve tracks ...
Matteo Bortone
by Vincenzo Roggero
1. Paul Bley, Closer (ESP, 1966). Esplorare senza paura di cadere nel vuoto. Barry Altschul incredibile. A mio avviso, uno dei migliori dischi di piano trio. 2. Elliott Smith, Either/Or (Kill Rock Stars, 1997). Cantautorato struggente post Nick Drake. ”Between the Bars” una delle mie preferite, se avessi una chitarra acustica ...
Jazz dans la Nuit at The Montreal International Jazz Festival 2018
by Dave Kaufman
Part 1 | Part 2 | Part 3 | Part 4Montreal is a city known for its beautiful historic churches and cathedrals. Église du Gesù, a magnificent church situated in the heart of downtown Montreal, opened its doors in 1865. The basement in the church has housed an amphitheater dedicated to the arts for ...
On The Local Scene At The 2018 Montreal International Jazz Festival
by Dave Kaufman
Part 1 | Part 2 | Part 3 | Part 4The Festival International de Jazz de Montreal (FIJM) is a magnificent celebration of jazz as well many other musical genres. The festival celebrated its 39th anniversary this past year. I have had the distinct pleasure of attending over 30 of them. FIJM has been ...
Bobo Stenson: Contra la indecision
by Giuseppe Segala
Con Bobo Stenson siamo di fronte a uno dei volti caratteristici scaturiti dalla scena musicale del Nord Europa: quello segnato dalla raffinatezza timbrica, dallo scandaglio armonico, dalla ricerca melodica ricca di sfumature e digressioni che per certi versi fa riferimento a Bill Evans, ma ne anestetizza la forza dinamica, la nettezza tagliente, i bagliori di fulmine. ...
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