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Vivian Buczek: Roots
by Kyle Simpler
Since 2003, Vivian Buczek has established herself as a powerful force in the contemporary jazz scene. Her voice is soulful and powerful. She can be sensitive and emotional on a ballad, but then turn around and sing blues songs as if she's been doing it all her life, which she actually has been. With Roots, she ...
Take Five with Oli Astral
by AAJ Staff
Meet Oli Astral The musical universe of Montreal-Canadian guitarist Oli Astral (Olivier Grenier-Bédard) is a fusion between the sound of modern jazz guitar, digital music technology, and visual projection. At 32, Oli Astral embarked on the adventure of From the Astral (2022), his first album as a leader. The latter is an active member of the ...
Brilliant Corners 2022
by Ian Patterson
Brilliant Corners 2022 The Black Box Belfast, N. Ireland March 4-12, 2022 Brilliant Corners is ten. Belfast's onliest jazz festival celebrated the milestone by welcoming audiences back to The Black Box after 2021's virtual edition. When Brilliant Corners was last held here before a live audience, in March 2020, Covid ...
Rodrigo Almonte: Distancia
by Chris M. Slawecki
"Every piece of music on Distancia is an honest representation of a pilgrimage of different distances that I had to walk, musically and geographically speaking, in order to find inspiration and to create a representation of myself as a musical nomad," explains guitarist Rodrigo Almonte, who was born and raised in Peru, completed Bachelor of Arts ...
Phase Dancing: Gottlieb, Wertico, Sanchez—The Art of Drumming in the Pat Metheny Group
by Joseph Vella
It was 1978 when I first heard “Phase Dance" on Bay Area jazz station KJAZ from a new band called the Pat Metheny Group (PMG). The music didn't just blow me away, it also spoke to me on such a deep level. Little did I know, it would stay with me forever. What the PMG did ...
Jan Sturiale: In The Life
by Kyle Simpler
Jazz artists frequently take popular music and put their own spin on it. It's sometimes surprising how effectively some rock and pop songs will work in a jazz context. Guitarist Jan Sturiale is aware of this, and In The Life features both original songs along with his takes on some classic jazz and pop songs.
About Pat Metheny Group
Results for pages tagged "pat metheny"...
Pat Metheny Group
Active since:
The Pat Metheny Group (PMG) was an American jazz fusion band founded in 1977 by guitarist and composer {{m: Pat Metheny = 9350}} along with his core collaborating member keyboardist and composer {{m: Lyle Mays = 9197}}. Other long-standing members included bassist and producer {{m: Steve Rodby = 51735}} (1981 to 2010) who replaced original bassist {{m: Mark Egan = 13882}}, and drummer {{m: Paul Wertico = 13447}} (1983 to 2001) who replaced original drummer {{m: Danny Gottlieb = 7141}}, after which {{m: Antonio Sanchez = 15301}} became the drummer (2002 to 2010). Argentine vocalist {{m: Pedro Aznar = 136739}} was also a long-time member, performing with the group from 1984 to 1993. In addition to a core quartet, the group was often joined by a variety of other instrumentalists expanding the size to six or eight musicians, including award-winning Brazilian percussionist and vocalist {{m: Nana Vasconcelos = 11030}}. The group won 11 Grammy awards for Best Jazz Fusion & Contemporary Jazz before disbanding in 2010. In fact, PMG is the only ensemble in history to win seven consecutive Grammy awards for seven consecutive releases.
In 1977, bassist Mark Egan joined Metheny, Mays, and Gottlieb to form the Pat Metheny Group. ECM released the album Pat Metheny Group in 1978 with songs co-written by Metheny and Mays. Pat Metheny Group marked Mays' first use of the Oberheim synthesizer, which became an integral part of the Group's sound. Their 1979 album, American Garage, and 1982's Offramp both reached No. 1 on the Billboard Jazz LPs chart.
Ode to a Tenor Titan
by Bill Milkowski
The following is an excerpt from Chapter 8, “Going Solo, The Pittbull and The EWI" from Bill Milkowski's Ode to a Tenor Titan: The Life and Times and Music of Michael Brecker (Backbeat Books, 2022). By early 1986, Michael began formulating plans for his long-overdue solo debut. He was 37, a universally respected ...
Monsters from the Jazzlab
by Chris M. Slawecki
Rodrigo Almonte Distancia Odradek Records 2021 “Every piece of music on Distancia is an honest representation of a pilgrimage of different distances that I had to walk, musically and geographically speaking, in order to find inspiration and to create a representation of myself as a musical ...
Bill Frisell, Beautiful Dreamer
by AAJ Staff
The following is a revised excerpt from “Chapter 20: Frislandia" of Bill Frisell, Beautiful Dreamer by Philip Watson (Faber & Faber, 2022). Bill Frisell's music has always, right from the beginning, raised critical questions about definition and classification, about the very nature of genre. What is it that Frisell is playing, and how ...
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