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266

Article: Album Review

Ramona Borthwick: One of Us

Read "One of Us" reviewed by Ian Patterson

by Ian Patterson

Pianist Ramona Borthwick is nothing if not generous--offering up over seventy minutes of quality music on this, her second recording as leader. That the music is constantly arresting is testament to the quality of the arrangements and, in equal measure, to the virtuosity displayed by her quintet. In effect, the quintet becomes at times ...

634

Article: Big Band Report

The Albuquerque Jazz Orchestra Meets Fred Sturm

Read "The Albuquerque Jazz Orchestra Meets Fred Sturm" reviewed by Jack Bowers

by Jack Bowers

The Albuquerque Jazz Orchestra was onstage January 23, 2010 at the University of New Mexico's Woodward Hall for a concert featuring the compositions and arrangements of Fred Sturm, director of Jazz Studies at Lawrence University in Appleton, Wisconsin. The concert was a part of the New Mexico All-State Band Competition, which was being held at the ...

547

Article: Album Review

Pat Metheny: Pat Metheny: Orchestrion

Read "Pat Metheny: Orchestrion" reviewed by Doug Collette

by Doug Collette

Orchestrion is no doubt going to be tremendously popular with Pat Metheny's devoted fan base, and anyone else who takes the opportunity to see the man on his upcoming tour. As one of the guitarist/composer's grandest projects, it will attract more than a few of those casually acquainted with Metheny's fame, curiosity piqued by the unusual ...

92

News: Interview

19th-Century Concept, with a Few Upgrades

19th-Century Concept, with a Few Upgrades

Pat Metheny, the jazz guitarist, has lately spent an inordinate amount of time thinking about robots. Actually, that's putting it mildly: he has been downright obsessed with robots, and with getting them to do his bidding. “I haven't slept more than four hours a night for six months now," he said one day last fall at ...

1,785

Article: Profile

Charlie Banacos: Recollections of a Legend

Read "Charlie Banacos: Recollections of a Legend" reviewed by Mike Brannon

by Mike Brannon

"You don't know what you've got 'til it's gone" --Joni Mitchell “There are a dozen ways to hit a key." --Charlie Banacos How do you say goodbye to someone who truly changed you; someone who you know caused you to be a better person just for having known them? How do you say goodbye ...

577

Article: Album Review

Christian Scott: Yesterday You Said Tomorrow

Read "Yesterday You Said Tomorrow" reviewed by Chris May

by Chris May

Trumpeter Christian Scott started raising expectations in 2006, with Rewind That (Concord), and hit the spot again in 2007 and 2008. Those earlier promises of greatness are clinched by Yesterday You Said Tomorrow. Scott's fourth Concord album is a gym-ripped amalgam of edgy jazz, hip hop and rock rhythms, off-kilter ostinatos, intimate rhapsodies and full-on passions, ...

520

Article: Album Review

Pat Metheny: Orchestrion

Read "Orchestrion" reviewed by Chris May

by Chris May

In a career waymarked by innovation and the unexpected, guitarist Pat Metheny, at age 55, has pulled another surprise out of the pack. This time it's his use of an orchestrion, a steam age contraption which plays a battery of real instruments--wind, percussion, fretboard and keyboard--blown or struck by mechanical devices. In the nineteenth century, orchestrions ...

1,167

Article: Extended Analysis

Orchestrion

Read "Orchestrion" reviewed by John Kelman

by John Kelman

The first question that has likely crossed the minds of many who've heard about guitarist Pat Metheny's Orchestrion is: why? Metheny has already published plenty of information about this unique project at his website, but it still doesn't get to the real heart of the matter. Orchestrion is a solo album in the truest sense of ...

110

News: Video / DVD

Pat Metheny Introduces "Orchestrion"

Pat Metheny Introduces "Orchestrion"

1,326

Article: Extended Analysis

Eberhard Weber: Colours

Read "Eberhard Weber: Colours" reviewed by John Kelman

by John Kelman

As the jazz-rock fusion movement gained ground from its early years in the late 1960s through its glory days in the early-to-mid-1970s—blending the more sophisticated harmonies of jazz with rock music's rhythmic power and high volume—all too often it was about muscular chops and complex writing for the sake of it. Little attention was paid to ...


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