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Pat Metheny Group

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The Pat Metheny Group (PMG) was an American jazz fusion band founded in 1977 by guitarist and composer {{m: Pat Metheny = 9350}} along with his core collaborating member keyboardist and composer {{m: Lyle Mays = 9197}}. Other long-standing members included bassist and producer {{m: Steve Rodby = 51735}} (1981 to 2010) who replaced original bassist {{m: Mark Egan = 13882}}, and drummer {{m: Paul Wertico = 13447}} (1983 to 2001) who replaced original drummer {{m: Danny Gottlieb = 7141}}, after which {{m: Antonio Sanchez = 15301}} became the drummer (2002 to 2010). Argentine vocalist {{m: Pedro Aznar = 136739}} was also a long-time member, performing with the group from 1984 to 1993. In addition to a core quartet, the group was often joined by a variety of other instrumentalists expanding the size to six or eight musicians, including award-winning Brazilian percussionist and vocalist {{m: Nana Vasconcelos = 11030}}. The group won 11 Grammy awards for Best Jazz Fusion & Contemporary Jazz before disbanding in 2010. In fact, PMG is the only ensemble in history to win seven consecutive Grammy awards for seven consecutive releases.

In 1977, bassist Mark Egan joined Metheny, Mays, and Gottlieb to form the Pat Metheny Group. ECM released the album Pat Metheny Group in 1978 with songs co-written by Metheny and Mays. Pat Metheny Group marked Mays' first use of the Oberheim synthesizer, which became an integral part of the Group's sound. Their 1979 album, American Garage, and 1982's Offramp both reached No. 1 on the Billboard Jazz LPs chart. 

Results for pages tagged "Pat Metheny Group"...

Musician

Greg Little & Renderglow

RENDERGLOW is a dynamic, interactive musical group based out of Orlando, Florida that combines elements of funk, pop, reggae, latin, jazz and dance into an intoxicating brew that is funky and fresh. Founder Greg Little plays trumpet, sings and incorporates the rare EVI. (Electric Valve Instrument) Renderglow has built a compelling new sound. Since 2012, they have played to enthusiastic crowds at clubs, festivals and corporate gigs.

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Article: Live Review

Bob Schlesinger at Dazzle

Read "Bob Schlesinger at Dazzle" reviewed by Geoff Anderson


Bob Schlesinger Dazzle Denver, COAugust 14, 2025 For decades, renowned recording engineer Rudy Van Gelder captured one classic jazz album after another in his Englewood Cliffs, NJ studio. Perhaps because he did so many, he was extremely efficient. He was able to get an album on tape in a single day, ...

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Article: Building a Jazz Library

Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation

Read "Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation" reviewed by Artur Moral


Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...

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Article: Album Review

Matthias Van den Brande: Fields of Color

Read "Fields of Color" reviewed by Artur Moral


A non-harmonic quartet raises unexpected questions Can an essentially orthodox musical effort accurately reflect the most unconventional art? Is a concept album more attractive than others, simply by being one? Can a written review meaningfully convey insights about a score inspired by the creations of painter Mark Rothko, whose canvases, in turn, were conceived to express ...

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Article: Album Review

Glebe: Gaudi

Read "Gaudi" reviewed by Neil Duggan


Few jazz groups have a name as uniquely tied to their shared history as Glebe. The band's name reflects their early days living in a shared flat above a fish and chip shop on Glebe Place, where guitarist Kieran Gunter and pianist Chris Bland lived after meeting at Leeds College of Music (now Leeds Conservatoire). Since ...

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News: Recording

Brian Eaton’s 'Trail of Contrition' Brings Jazz Fusion to New Frontiers

Brian Eaton’s 'Trail of Contrition' Brings Jazz Fusion to New Frontiers

Portland-based multi-instrumentalist, producer, and composer Brian Eaton has unveiled his sixth studio album, Trail of Contrition, available now on Eatin’ Records. This vibrant jazz fusion project stands at the crossroads of diverse American musical traditions, blending elements of jazz, country, bluegrass, folk, rock, rhythm and blues, gospel, and Americana into an adventurous, genre-bending sonic journey. The ...

Article: Live Review

Pat Metheny al Roma Jazz Festival

Read "Pat Metheny al Roma Jazz Festival" reviewed by Mario Calvitti


Pat Metheny Auditorium Sala S. Cecilia Roma Jazz Festival Roma 4 novembre 2024 Il lungo tour (il primo in completa solitudine) di Pat Metheny, iniziato già lo scorso anno negli Stati Uniti in seguito alla pubblicazione del suo album di sola chitarra Dream Box (da cui il nome del tour), ...

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Article: Album Review

Mike Stern: Echoes and Other Songs

Read "Echoes and Other Songs" reviewed by Doug Collette


With a running time of seventy-seven minutes plus, guitarist Mike Stern's Echoes and Other Songs is effectively a double album. And like most such expansive works--including classics like Bob Dylan's Blonde On Blonde (Columbia, 1966) and The Beatles (aka 'The White Album')(Apple, 1968)--it would benefit from consolidation of its best elements (as would a replacement of ...

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Article: Play This!

Paul Wertico Trio: The Underground

Read "Paul Wertico Trio: The Underground" reviewed by Mike Jacobs


After vacating the drum chair in the seminal Pat Metheny Group, drummer Paul Wertico's next move was to release Don't Be Scared Anymore (Premonition Records, 2000) with Chicago-based cohorts John Moulder and Eric Hochberg. The resulting album was a far cry from his work in the PMG stylistically, but nonetheless inspiring, as the turgid, slow grind ...


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