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Pasquale Grasso

Pasquale Grasso, born in Ariano Irpino, Italy, began playing guitar at a very young age. Grasso’s principle instruction was with Chuck Wayne's student and jazz guitar innovator, Agostino Di Giorgio. Grasso's prodigious aptitude for the guitar only grew as he quickly became Di Giorgio's closest pupil. Another extraordinary influence in Grasso's career has been bebop piano master and world- renowned jazz educator, Barry Harris. Pasquale has served as Harris' guitar teaching assistant for the last ten years, conducting workshops in Italy, Switzerland, France, Spain, Holland, and Slovenia. In 2008, Pasquale pursued classical guitar studies in the Music Conservatory of Bologna under Professor Walter Zanetti

ARTICLE: RADIO

A Neon Jazz Christmas!

Read "A Neon Jazz Christmas!" reviewed by Joe Dimino

Welcome to the annual Christmas show, trying to get all jazz fans into that seasonal mood. Each song is cultivated primarily by modern artists and a sprinkling of cats from years back. Featuring the likes of Dave Stryker, Pasquale Grasso, Glenn Crytzer and John Basile. Dig the holiday season and a brand new year, kids.

ARTICLE: WHAT IS JAZZ?

2019 Winter JazzFest's Weekend Marathon: A Survival Guide

Read "2019 Winter JazzFest's Weekend Marathon: A Survival Guide" reviewed by Ludovico Granvassu

With each passing year, Winter JazzFest—New York's premiere jazz festival—has expanded the number of venues presenting an increasingly diverse array of musicians. There are several ways to approach a programme as dense and exciting as the 2019 edition of the two-day Marathon spanning January 11th and 12th. Thanks to an embarrassment of riches, festival goers face ...

ARTICLE: LIVE REVIEW

New York Nights At Birdland Theater And Mezzrow

Read "New York Nights At Birdland Theater And Mezzrow" reviewed by Martin McFie

On West 44th street in midtown Manhattan, Johnny Valenti recently inaugurated the new Birdland Theater, which has been built downstairs, below his Birdland club. The seating is arranged with two chairs at each round table, the rearmost of which are high tops, ensuring a clear view of the well lit stage from every table in the ...


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