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7

Article: Album Review

Ari Hoenig: Tea For Three

Read "Tea For Three" reviewed by Artur Moral


In the concise liner notes for this release, Ari Hoenig states that this is the first time he has kept the same lineup for two consecutive recordings. No shock there: From the album's opening bars, it is clear we are not just dealing with another trio, but with the convergence of three exceptional musical personalities whose ...

7

Article: Interview

Nick Brignola: Between A Rock And The Jazz Place, Part 2

Read "Nick Brignola: Between A Rock And The Jazz Place, Part 2" reviewed by Rob Rosenblum


Part 1 | Part 2 This interview was originally published in 1969 in an Albany, New York area arts publication called Transition. It documents a time when saxophonist Nick Brignola was in the process of trying to break out of the confines of bebop and incorporate some of the elements of fusion that was ...

17

Article: Interview

Meet Andy Bey

Read "Meet Andy Bey" reviewed by Chris M. Slawecki


From the 1995-2003 archive: This article first appeared on All About Jazz in February 2000. Listening for the first time to Andy Bey is like stepping into a quiet, still lake. Your foot first parts a surface that's smooth and tranquil, but you can't really tell from that surface how deeply your foot must ...

1

Article: Album Review

Triology: The Slow Road

Read "The Slow Road" reviewed by Pierre Giroux


In The Slow Road, the Canadian trio Triology--comprised of pianist Miles Black, guitarist Bill Coon, and bassist Jodi Proznick--joins forces with the inimitable tenor saxophonist Scott Hamilton to present a recording that swings with warmth, restraint, and unfailing musicality. This is chamber jazz at its most elegant, invoking the refined spirit of classic drummerless trios such ...

7

Article: Interview

Emilio Solla: Uncovering Music Already There

Read "Emilio Solla: Uncovering Music Already There" reviewed by Dean Nardi


In the '40s, the jazz scene was dominated by bebop with its roots in swing music, formerly the purview of the big band era. Trios and quartets became the combo of choice for players such as Charlie “Yardbird" Parker and Thelonious Monk, who took the harmonies of the old jazz and superimposed them on chord substitutions, ...

1

Article: Radio & Podcasts

Get Happy: The Music of Harold Arlen’s Great American Songbook

Read "Get Happy: The Music of Harold Arlen’s Great American Songbook" reviewed by David Brown


Harold Arlen was a singer, pianist, arranger, and, most importantly, a composer of iconic popular songs in the 20th century. A highly regarded contributor to the Great American Songbook, Arlen wrote over 500 songs, with his most famous being “Over the Rainbow." Born 120 years ago in 1905, Arlen's music--primarily composed for Broadway shows and films--has ...

4

Article: Take Five With...

Take Five With Clarinet And Composer Kinan Azmeh

Read "Take Five With Clarinet And Composer Kinan Azmeh" reviewed by AAJ Staff


Meet Kinan Azmeh Hailed as a “virtuoso, intensely soulful" by The New York Times and “spellbinding" by the New Yorker, Syrian-born, Brooklyn-based genre-bending composer, clarinetist and improvisor Kinan Azmeh has been touring the globe with great acclaim. He has collaborated with Yo-Yo Ma, John McLaughlin, Daniel Barenboim and the New York Philharmonic, among others. Azmeh is ...

Article: Interview

Jeff Ballard, Toscano per amore

Read "Jeff Ballard, Toscano per amore" reviewed by Neri Pollastri


Classe 1963, californiano di Santa Cruz, Jeff Ballard è oggi uno dei grandi batteristi della scena jazz internazionale. Membro di formazioni importanti come il sestetto di Chick Corea e il trio di Brad Mehldau, ha collaborato continuativamente con musicisti come Kurt Rosenwinkel, Danilo Perez, Avishai Cohen. Abbiamo avuto occasione di incontrarlo a Sesto Fiorentino, dove vive. ...

8

Article: Liner Notes

One For All: Big George

Read "One For All: Big George" reviewed by C. Andrew Hovan


The world has changed dramatically since the end of the 20th century, the time period when the jazz collective One For All began to forge their stamp on the history of hard bop. Using the club Augie's on New York's upper west side as their stomping grounds, the group would make their debut recording at the ...

6

Article: Take Five With...

Take Five with Saxophonist Zishi Liu

Read "Take Five with Saxophonist Zishi Liu" reviewed by AAJ Staff


Meet Zishi LiuZishi Liu is a Boston-based saxophonist and music curator originally from China. He made history as the first Chinese artist to play at Boston's famed Regattabar in collaboration with Blue Note Jazz Club in 2025. His work has been featured by WGBH, contributing to the broader narrative of Asian representation in jazz.


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