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Sal La Rocca: SHIFTED
by James Fleming
The saxophone lines snake out of the speakers, rustling the airwaves like a breeze through firs or singing with all the lyricism of the finest vocalist. The double bass's hardwood lays a strong foundation. The electricity of the Wurlitzer piano growls atop that age-old sound, like a lightning storm rolling over treetops. Sal La Rocca's Shifted ...
Håvard Wiik: This Is Not a Waltz
by Glenn Astarita
Leading-edge Norwegian pianist Håvard Wiik is a widely acclaimed artist via his work in the eminent Scandinavian free bop band, Atomic and collaborations with saxophonists Joe Lovano, Ken Vandermark and many other jazz VIPs. Yet he's equally at home settling into modern jazz frameworks or when venturing into the outside peripheries of jazz. But this release, ...
Dan McClenaghan's Best Releases Of 2018
by Dan McClenaghan
The music keeps moving forward, evolving to higher levels. My search for the best jazz recordings of 2018 led me to these marvelous CDs. Satoko Fujii Satoko Fujii Solo Libra Records A person's sixtieth birthday serves as a milestone, more so in Japan--where it is referred to as “Kanreki"--than elsewhere. ...
Niculin Janett Quartet: Complexes
by Geno Thackara
Despite the connotations of its title, the sound of Complexes doesn't suggest anything excessively technical (or mental issues either, for that matter). The Niculin Janett Quartet's second recording is a largely sedate affair that stays semi-formless and yet always easy to follow--a resolutely modern mix of familiar swing and challenging abstraction. Even while the drift mostly ...
Chris Pasin: Ornettiquette
by Mark Corroto
Included on an album dedicated to the legendary Ornette Coleman, it is “Ghosts," a composition by saxophonist Albert Ayler. Trumpeter Chris Pasin assembled an impressive collection of musicians to record Ornettiquette with Karl Berger and vocalist Ingrid Sertso, both connected to the 1960s revolution through their work with Coleman and Don Cherry. In addition, there's saxophonist ...
Chris Pasin: Ornettiquette
by Chris Mosey
It's amazing how quickly what was billed as the future of jazz became its past. In 1959 when saxophonist Ornette Coleman released his third album, he wanted to call it Focus On Sanity. Instead, at the insistence of Atlantic producer Nesuhi Ertegun, it was portentously titled The Shape Of Jazz To Come. Other musicians took heed ...
Enjoy Jazz 2018
by Henning Bolte
Enjoy Jazz International Festival for Jazz and More Heidelberg/Mannheim/Ludwigshafen October 13-15, 2018 During fall Enjoy Jazz is a major well-established event running through the metropolitan Rhine-Neckar-region (2, 4 million inhabitants) in southwestern Germany, now in its 20th year. Unlike the fast-forward conveyor belt of musical acts at many jazz festivals, ...
Way North: Fearless And Kind
by Dan McClenaghan
This roots jazz band is called Way North, presumably for their home base in Toronto. But a spin of their second recording, Fearless and Kind, says they could have tagged the quartet Way South, especially considering the opening tune, “Boll Weevil," and the two-part “Jelly Roll Morton Medley." Their music has a sort of Ornette Coleman ...
Jazz&Wine of Peace Festival 2018
by Neri Pollastri
Jazz&Wine of Peace Festival Cormons, Collio friulano e Brda slovena Teatro Comunale, varie sedi in cantine e sale 24-28.10.2018 Superato lo scorso anno il traguardo delle venti edizioni, il Jazz&Wine of Peace 2018 non ha abbassato l'asticella, proseguendo nel suo progetto che coniuga altissimo livello dei concerti, varietà stilistica ...
Moldejazz 2018
by Martin Longley
Moldejazz 2018 Molde, Norway July 16-21, 2018 Skyscraper cruise ships pull up to the the port of Molde in Norway, temporarily overpopulating this small west coast city, in addition to the folks who are already visiting for its long-established jazz festival. The Molde centre might be conventionally dedicated to shopping, ...
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