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Federica Michisanti Horn Trio: Silent Rides
by Neri Pollastri
Emersa rapidamente come una delle giovani promesse del nostro jazz, Federica Michisanti è fresca vincitrice del Top Jazz per i nuovi talenti, in parte grazie a questo Silent Rides, anch'esso tra i migliori album italiani del 2018. Un lavoro la cui registrazione era stata anticipata da alcuni concerti, tra i quali quello estivo a Valdarno Jazz ...
Jazz and the Rules of the Knife Fight
by Peter Rubie
There's a great scene near the beginning of Butch Cassidy and the Sundance Kid, when Butch (Paul Newman) returns to the Hole in the Wall Gang and is challenged for leadership of the gang. As Butch and Harvey face off, Butch says to his enormous opponent, “Let's get the rules straight first." Harvey straightens in surprise ...
Eric Dolphy: Musical Prophet: The Expanded 1963 New York Sessions
by Troy Dostert
Although his iconic Out to Lunch! (Blue Note, 1964) is one of a handful of undisputed avant-garde jazz masterpieces, Eric Dolphy's stature has never quite risen fully to the level of the jazz titans. Some of this is probably due to his untimely death at age 36, just as he was reaching new creative peaks; and ...
Fredrik Nordstrom: Needs
by Vincenzo Roggero
Un doppio quartetto alla maniera di Ornette Coleman anni sessanta con alcuni dei più importanti improvvisatori svedesi riuniti dal sassofonista Fredrik Nordstrom è il meraviglioso ensemble che da vita a Needs. Il risultato è un disco di estrema bellezza nel quale le radici solide del bop si espandono e raggiungono i territori della libera improvvisazione, del ...
Charles Lloyd & the Marvels with Lucinda Williams at Zellerbach Hall
by Harry S. Pariser
Charles Lloyd & the Marvels with Lucinda Williams Zellerbach Hall Berkeley, CA December 6, 2018 It isn't often that a pedal steel guitar is found in a jazz ensemble. And it is even less frequent that a country music singer-songwriter joins one on vocals. But this iconoclastic collaboration had its genesis ...
Reto Anneler: Stille Post
by James Fleming
Stille Post is a record as spacious as a solar system. Reto Anneler's alto and Cristoph Grab's tenor move around the rhythm section like planets orbiting a distant sun. And when the two horns align, the music glows with the red light of an eclipse, shining down on the spare basslines and pointed drumming of Claudio ...
The Way Ahead: Bells, Ghosts and other Saints
by Mark Corroto
Perry Farrell, of the rock band Jane's Addiction, might have said/sung it best in 1988, on the track “Ted, Just Admit it..." when he whispered “Nothing's Shocking." Indeed, nothing is in the 21st century. Marcel Duchamp's painting “Nude Descending a Staircase, No. 2" (1912) is mostly admired today, and certainly not the trigger for a riot. ...
Drummers As Leaders
by Jerome Wilson
Drummers are not necessarily the first musicians you think of as bandleaders but there is a long tradition of drummer-leaders in jazz from Chick Webb and Gene Krupa to Art Blakey and Paul Motian. Here are two current, lesser-known drummers who keep that lineage going in different formats. Enrique Haneine The Mind's Mural ...
Aruán Ortiz live at BIMHUIS Amsterdam
by BIMHUIS
Aruán Ortiz is a rising piano star of such a sweeping contemporary technique, imagination and keyboard-power, to be an enthralling one-man band too. The Cuban-born musician incorporates different forms in his compositions, resulting in a unique new style which reflects his fascination for modern classical music as well as Afro-Cuban traditions, and for great jazz innovators ...
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