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Rick Lawn: The Evolution of Big Band Sounds in America
by Victor L. Schermer
From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...
David Bond at Chris’ Jazz Cafe
by Victor L. Schermer
David Bond Quartet Chris' Jazz Café Philadelphia, PA June 26, 2019 Alto saxophonist David Bond is new to Philadelphia and probably unfamiliar to jazz fans here. I went to hear him because I am always interested in hearing someone new, and two of the personnel listed were revered ...
John Dikeman And The Origin Of The Species
by Mark Corroto
If we were to go searching for saxophonist John Dikeman's spirit animal, we might have to bypass beast for sapien. Let's just say his spirit animal is the father of punk, Iggy Pop. Like early music by The Stooges, Dikeman's sound makes reference to the music of both Albert Ayler and Pharoah Sanders. It's a shame ...
Paul Bley: When Will The Blues Leave
by John Ephland
Ornette Coleman recorded “When Will The Blues Leave" in early 1958, released the next year on Something Else!!!! (Contemporary). Paul Bley played Coleman's blues four years later on The Floater Syndrome (Savoy Records), a trio recording with bassist Steve Swallow and drummer Pete La Roca. Both versions--Coleman's in a quintet with trumpeter Don Cherry, bassist Don ...
Daryl Runswick / Tony Hymas: Runswick Hymas Big Bands 1974-78
by Roger Farbey
British bassist, composer and conductor Daryl Runswick was born in 1946 and in 2019 is retired. His archival recordings have had something of a renaissance, at least as far as CD releases are concerned. Following in the wake of 2017's double album of previously unreleased tracks entitled Daryl Runswick: The Jazz Years and 2018's live quartet ...
Stan Getz: Getz At The Gate
by Chris May
Connoisseurs of Stan Getz continue to get lucky with newly discovered live recordings. The last was Moments In Time (Resonance, 2016), a single CD documenting parts of a week-long residency with a quartet including pianist JoAnne Brackeen in San Francisco in 1976. Getz At The Gate, recorded fifteen years earlier, is another substantial addition ...
Jazzdor Berlin 2019
by Henning Bolte
Kulturbrauerei, Kesselhaus Jazzdor Berlin Berlin June 4-7, 2019 Jazzdor Berlin is one of the few truly, consistently and enduring European minded and spirited jazz festival events around—an initiative taken by Phillip Ochem, the artistic leader of the Strasbourg festival Jazzdor, more than a decade ago. Long breath Unlike other ...
Joe Fonda: New Origin
by Mike Jurkovic
On New Origin veteran bassist Joe Fonda and drummer Harvey Sorgen—(Ahmad Jamal, Dewy Redman) boldly return to the passion that forged Dreamstruck (Not Two, 2018), their unstoppable trio excursion with Marilyn Crispell. Sworn architects of reverberant depth and the collective accord separating us from AI, the vets team this time with the equally free ...
Jay Anderson: Deepscape
by Jerome Wilson
Bassist Jay Anderson has been a sideman for many musicians including Michael Brecker, Lee Konitz, Kenny Wheeler and Maria Schneider, but he hasn't led a recording session since the 90s.' He makes up for lost time here with a varied set of music that sometimes follows standard jazz orthodoxy and sometimes goes its own fascinating way. ...
Paul Bley, Gary Peacock, Paul Motian: When Will The Blues Leave
by Mike Jurkovic
The first posthumous Bley release since his passing in 2016, When Will The Blues Leave is a true dance of inquisitive equals. Recorded live at Lugano's Aula Magna in Switzerland in March of 1999, Paul Bley, Gary Peacock and Paul Motian celebrate their decades-long friendship and the virtuoso inspiration first heard on the trio's ever-exquisite reunion ...
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