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Dave Liebman: Placing Free Jazz and the Avant Garde in Musical and Historical Perspective
by Victor L. Schermer
Like free jazz, this interview arose spontaneously from an informal “how are you doin'" telephone conversation between saxophonist Dave Liebman and All About Jazz contributor Vic Schermer. Schermer phoned Liebman to compliment him on his new e-book The Art of Skill: Establishing the Mindset for Unleashing the Music Inside You published by Michael Lake, and how ...
Khruangbin: The Sly Art of Containment
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, “I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The “So You Don't Like Jazz" ...
Saxophone Colossi: An Alternative Top Ten Banging Albums
by Chris May
Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into ...
Mark Feldman: Sounding Point
by Troy Dostert
Violinist Mark Feldman has long been a consummate sideman, with well over a hundred appearances in that capacity over the course of his career dating back to the 1980s. His inimitable technique and fierce lyricism render him a perfect fit in so many different contexts: in 2020 alone he could be found reunited with the Arcado ...
Guitar Gods & Goddesses: An Alternative Top Ten Albums
by Chris May
Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...
Group Sounds Four & Five: Black & White Raga
by Chris May
So seismic were the eruptions of British pop and rock in the mid 1960s, along with the effusive chronicling which accompanied them, that the parallel fecundity of the country's jazz scene was widely overlooked then and has been largely forgotten since. Contemporary media coverage was practically non-existent except on those occasions when a musician got busted. ...
Charles Lloyd and the Marvels: Tone Poem
by Mike Jurkovic
The download comes down the i-pipe in a virtual blue folder titled Charles Lloyd Tone Poem and the first thought upon initial listening is 'damn right it is'! It is a deceptively graceful covers album which immediately makes all the songs—many by none other than Ornette Coleman, Gabor Szabo and Leonard Cohen—their own highly active ecosystem ...
Notable and Nearly Missed 2020
by C. Michael Bailey
The strange year that was 2020 yielded, reluctantly, re-issued and previously unissued recordings from across the spectrum of music and ain't it fine to have such to consider. The value of such recordings lay in their function in pointing to the musical future we presently inhabit. They fill in the blank spaces between then and now. ...
Universal Tonality - The Life and Music of William Parker
by Giuseppe Segala
Universal Tonality -The Life and Music of William Parker Cisco Bradley 408 pagine Duke University Press 2021 Ricordiamo bene l'esibizione della Little Huey Creative Music Orchestra, il 31 maggio 1998, al Teatro Nuovo di Verona, menzionata nelle prime righe dell'introduzione di Universal Tonality--The Life and Music of William Parker, ...
Raphaël Pannier Quartet: Faune
by Jerome Wilson
On his first recording as a leader, drummer Raphaël Pannier shows himself to be a musician who has one foot in the classical world and one foot in jazz. He leads his group in a set of original and classic compositions from both genres, maintaining a sense of formal grace and improvisational energy throughout.
