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Shirley Clarke's Documentary "Ornette Made in America" Available as Video on Demand
ORNETTE: MADE IN AMERICA is the last film by the great American independent filmmaker Shirley Clarke. She portrays Ornette Coleman, one of the most influential and controversial musicians in jazz. Clarke uses performances of Coleman's ”Skies of America”, a composition for symphonic orchestra and jazz combo, as her point of departure. She kicks off in Coleman's ...
Alexander Hawkins Quartet at the Vortex, London
by John Sharpe
Alexander Hawkins Quartet The Vortex London, England January 5, 2010 A very respectable audience braved the cold temperatures (for London where since global warming kicked in it rarely falls below freezing for very long) and further impending snow for the debut of the Alexander Hawkins new quartet at ...
Bill Royston: The History of a Festival
by Lloyd N. Peterson Jr.
It is a passion and responsibility that no one takes as serious as they do; and they do it knowing that little, if any acknowledgment will come their way. They are the festival promoters and artistic directors of this music we call Jazz.And though it's a music that has always had its up and ...
Joanne Brackeen: Phenomenal Capacity
by Russ Musto
One of the most heralded pianists of her era, JoAnne Brackeen came to New York in 1965 after cutting her chops jamming with the likes of Teddy Edwards, Harold Land, Charles Lloyd and Dexter Gordon during the waning days of the Central Avenue scene in her native California. After a few dues-paying years here, she landed ...
Chicago Underground Duo: Boca Negra
by Chris May
Drummer Chad Taylor's and cornetist Rob Mazurek's intention with Boca Negra is to present the listener with “an emotional experience that transcends the idea of genre or label." The principle of inclusiveness starts with the recording location, Sao Paulo in Brazil, and continues through to the album's packaging: the cover shot was taken on the shore ...
Opsvik & Jennings: A Dream I Used To Remember
by Robert Iannapollo
Over the past five years, bassist Eivind Opsvik has gained a considerable reputation around New York as a strong, resourceful jazz bassist. He's been tapped by the likes of Tony Malaby, Paul Motian and Kris Davis for their groups. His own ensemble Overseas (currently Malaby, Kenny Wollesen and Jacob Sacks), with three albums to date, has ...
Buenos Aires Jazz Festival 2009: Growing Into a Tradition
by R.J. DeLuke
Buenos Aires International Jazz Festival '09, Part 1 December 3-8, 2009In the land of the tango, Argentina--specifically the stylish city of Buenos Aires--there is a movement afoot to bring great jazz to the land, expand the audience for the music, and increase public exposure for the growing number of outstanding jazz musicians in ...
Scott LaFaro: Pieces of Jade
by Stuart Broomer
In his brief career between 1959 and 1961, Scott LaFaro may have done as much to revolutionize the way the bass is played in jazz as Jimmy Blanton, another gifted and tragic figure, had with Duke Ellington 20 years before him. Like Blanton, LaFaro only took up the bass when he entered college and also died ...
Marion Brown: Why Not?
by Clifford Allen
Marion Brown Why Not? ESP-Disk 2009 (1966) While the term “fire music" has held sway as a descriptor of the music of post-John Coltrane/Albert Ayler saxophonists from the 1960s onward, it's long been an incomplete summation of the work of most of these musicians. Alto saxophonist Marion Brown ...
John Bunch, The Bad Plus, Daedelus & Dr. John
by Martin Longley
The John Bunch TrioSmallsDecember 29, 2009Steeply down the steps, to the intimate confines of Smalls, one of New York City's most laid-back jazz clubs. Normally, this Greenwich Village joint's clientele is younger, perhaps attracted by the single cover charge that allows all-night entry. This facilitates easy coming and going, so ...
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