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Unity Band
by John Kelman
In a time when compressed music is the norm—often removing the details an artist has worked so hard to capture in recording—it's great to have someone like guitarist Pat Metheny still paying attention to the very minutiae that can make a very, very good record great. Unity Band would be a very, very good record under ...
Rich Halley 4: Back From Beyond
by Dan McClenaghan
Tenor saxophonist Rich Halley can be relied upon to rip it up, either live or in the studio. His forte is free jazz that always seems to threaten to power into some steroidal bebop. He has released a string of fine records on the now-dormant Louie Records--including, perhaps the best of these, the no-holds-barred The Blue ...
Phil Grenadier / Bruno Raberg Duo: Plunge
by Eyal Hareuveni
Trumpeter Phil Grenadier and bassist Bruno Råberg have collaborated for over ten years, including on Råberg's Ascensio (2003) and Chrysalis (2004), both on Orbis Music. For this intimate duo session, Råberg had a different vision: short, immediate and busy improvisations. Soundacapes, most of them were manipulated afterwards with different effects and three were “double duo" improvisations ...
Ornette Coleman and Don Cherry Once Blew Us Away Under LA’s Big Top
by Mort Weiss
Los Angeles/Hollywood, California, in the late 1940s through the early 1960s was a happening place for jazz and jazz musicians. There was always a place to play a jam session, or more correctly session(s)--mostly in beer bars. (I'm not counting the ones that went on all night in some one's pad, if they were lucky enough ...
TriBeCaStan: New Deli
by Chris M. Slawecki
TriBeCaStan is a mythical kingdom or mystical state (or both) founded by John Kruth and Jeff Greene, built upon music brought within its walls from Western China, Cuba, Morocco, Uzbekistan and just about any and every where else. For New Deli, their second official “state communication," TriBeCaStan's population expands to include Claire Daly, baritone sax ace ...
Don Redman: Setting the Template
by Jim Gerard
As someone who came to jazz as a young man in the 1970s, I can attest that subsequent generations of both its chroniclers and, even sadder, its practitioners, have succumbed to the peculiarly and regrettable American disease of a-historicism. They've shoved jazz history through a sieve, reducing it from an epic tale of heroic ...
Missives from Distant Fronts
by Chris M. Slawecki
Bio RitmoLa Verdad Electric Cowbell Records2011 In September 2011, Bio Ritmo, the ten-piece salsa band from Richmond (Virginia), celebrated twenty years together, no small accomplishment for a band originally formed (says its official company bio) “as a percussion ensemble brought together by two misplaced Puerto Ricans who met ...
Undead Music Festival, Greenwich Village Edition: New York, NY, May 9, 2012
by Daniel Lehner
Undead Music FestivalGreenwich Village EditionKenny's Castways, Sullivan Hall and Le Poisson RougeNew York, NYMay 9th, 2012Despite its constant and ambitious expansion into other geographic and spatial situations, the Undead Music Festival (formally the Undead Jazz Festival, a change that says more than a bit about the nature of the ...
Karl Berger and Dom Minasi: Synchronicity
by Eyal Hareuveni
Pianist/vibraphonist Karl Berger and guitarist Dom Minasi are both forward-thinking and experienced composers, improvisers and educators, with discographies that goes back to the 1960s--including, in the case of Berger, collaborations with Ornette Coleman, Don Cherry and Carla Bley; and, with Minasi, 1970s work with Joe McPhee and Matthew Shipp. Synchronicity's twelve freely improvised ...
A Small Dream in Red: In the Language of Dreams
by Florence Wetzel
Singer Nora McCarthy and saxophonist Jorge Sylvester constitute one of the most creative duos in today's jazz scene. Their group, A Small Dream in Red (named after painter Vassily Kandinsky's 1925 masterpiece), made a deep impression with its eponymous 2005 Sundown Jazz debut. McCarthy and Sylvester continue to mine their rich vein of creativity with In ...
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