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Verneri Pohjola & Black Motor: Rubidium
by Dan McClenaghan
Just going by the name, for those unfamiliar with the thriving Scandinavian jazz scene, a group calling itself Black Motor might be mistaken for a heavy metal rock band--a smash-and-crash set of drums, a blasting three-chord guitar and a wall-shaking bass wrapped around bellowed lyrics. But the real Black Motor, a drums/bass/saxophone outfit--joined on Rubidium by ...
Benoit Delbecq & Fred Hersch Double Trio's "Fun House" and Chris Clark's Debut "Cedar Wisely" Coming from Songlines
Songlines will release a pair of extremely diverse yet equally exciting albums on March 12. Fun House, the first recorded collaboration between the critically acclaimed pianists Benoit Delbecq and Fred Hersch, finds them performing in a rare double-trio configuration. It's a ground-breaking encounter and between jazz piano and the sonic resources of contemporary classical music, between ...
Before We Say Goodbye To 2012
by Mark Corroto
In consumer culture, where we are all guilty of looking for the next new thing, the emphasis is always on new releases, and what the next, best, super-improved product will be. It seems that even before this week's movie opens, we are being told about next week's blockbuster. Before we turn our attention fully ...
John Hollenbeck: Songs I Like a Lot
by John Kelman
It's hard to resist, at the very least, looking at an album with as honest and unassuming a title as Songs I Like a Lot; but it's even harder to resist when it turns out that the instigator is John Hollenbeck, founder of and primary composer for Claudia Quintet--the chamber jazz ensemble which has, over the ...
Mostly Other People Do the Killing: Setting the Record Straight
by Troy Collins
Mostly Other People Do the Killing is frequently typecast as one of today's most humorously irreverent young jazz groups, based in no small part on their provocative name, which was inspired by a quote attributed to inventor Leon Theremin--a survivor of the Soviet gulag who exonerated Stalin because mostly other people did the killing." Bassist and ...
Alan Wilkinson/John Edwards/Steve Noble: London, England, January 9, 2013
by John Sharpe
Alan Wilkinson/John Edwards/Steve NobleCafé OtoLondonJanuary 9, 2013It didn't look promising to begin with. In the dark days of January with the New Year festivities over and done, there's not a lot of enthusiasm for nocturnal adventure, so it was no surprise to see just a couple of people waiting outside before ...
Diatribe Records: Heart and Soul of the Music
by Ian Patterson
Whilst Ireland has long produced music of world renown, this tiny, most Westerly European nation has never been quite so famous for producing cutting edge jazz. However, as European jazz has gradually let slip the American accent--an evolution that perhaps gathered its greatest momentum with the birth of the ECM label--so, too, in Ireland, a new ...
Joe Morris: Graffiti In Two Parts
by John Sharpe
One of the main talking points regarding Graffiti In Two Parts, and perhaps the reason this session from 1985 has finally seen the light of day, must be the participation of the erstwhile pianist Lowell Davidson. After studying biochemistry at Harvard University, he moved to New York and played with Ornette Coleman who urged the ESP ...
The Jim Hall Quartet: Live at Birdland
by Victor Verney
Guitarist Jim Hall, now in his eighth decade, continues to be a vigorous performer, fresh-minded arranger and creative composer. He's been around so long, and done so much, that it's humbling to try writing something fresh about him: there is little to say that hasn't already been said, and in many cases quite eloquently.
More Fresh Sounds From Fresh Sound
by Bruce Klauber
The Fresh Sound record label has released another superb batch of late 1950s and early 1960s recordings by jazz legends, greats, near-greats and now obscure artists who, then and now, deserve wider recognition. As detailed in previous pieces, Fresh Sound is the only organization out there issuing these essential works, which otherwise would remain lost.


