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Dewa Budjana: Dawai In Paradise
by Dave Wayne
Though Dawai In Paradise is the first U.S. release by guitarist Dewa Budjana, careful study of the liner notes indicates that the Bali native has been playing jazz at a very high level for quite some time. Listening to this polished gem of an album, it's readily apparent that Budjana is no neophyte. In fact, he's ...
Jazz: A Blessed Obsession
by Mark Corroto
Jazz listeners travel some strange and beautiful paths. It might have all begun with collectors trying to find a legendary Edison cylinder that New Orleans trumpeter Buddy Bolden--some believe to be the very first jazz musician--may (or may not) have recorded in 1904. Fast forward to modern times, a quick scan of eBay and the exorbitant ...
The Not So Strange and Bizarre Life of Mike Taylor
by Duncan Heining
Composer-pianist, Mike Taylor, lies buried in a touchingly simple grave in a cemetery in Southend. His body was found on the beach at Leigh-on-Sea in Essex in January 1969. It was assumed that he had committed suicide. He was 30 years old and didn't leave much of a legacy--a couple of albums now highly prized, a ...
Meet Daniel Lehner
by AAJ Staff
I currently live in: New York, NYI joined All About Jazz in: 2010What made you decide to contribute to All About Jazz? I actually submitted my first review, which was the Undead Jazz Festival 2010, to the AAJ message boards. I saw they had a section for concert reviews so I decided ...
Jazz Musician of the Day: Ornette Coleman
All About Jazz is celebrating Ornette Coleman's birthday today! Early on in his career, alto saxophonist Ornette Coleman, recorded an album entitled, The Shape of Jazz To Come. It might have seemed like an expression of youthful arrogance - Coleman was 29 at the time - but actually, the title was prophetic. Coleman is the creator ...
Alash, Skye, and Quest
by Martin Longley
Alash Carnegie Hall February 16, 2013 Carnegie Hall's late-night weekend series of shows always have a livelier atmosphere than their earlier 8:00 p.m. concerts. Typically a gig will begin down in the subterranean Zankel Hall at 10:00 p.m., continuing until almost midnight. It always seems as if the audience ...
Eric Hofbauer: American Grace
by Mark Corroto
Origami or balloon animals, it is always interesting what a solo artist can do with his bare hands. Same for a gifted guitarist like Eric Hofbauer, whose American Grace completes a trilogy of solo recordings that began with American Vanity (Creative Nation, 2004), and was followed by American Fear! (Creative Nation, 2010). In these three outing, ...
Howie Smith / Mike Nock: Opal Dream
by Matt Marshall
Although their paths didn't cross until 1988, when they first met and performed together in Sydney, Australia, saxophonist Howie Smith and pianist Mike Nock are both important figures in the development of jazz Down Under. Nock, a native of New Zealand, returned to Australia in 1985 after working 25 years in the U.S. with ...
Conrad Herwig: There's Nothing Else
by Bob Kenselaar
Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expressiontheir compositions." Herwig was speaking of ...
John Daversa: Bursting Out of LA
by R.J. DeLuke
Seen in the hallways at California State University in Northridge, a neighborhood of Los Angeles, where he teaches big band arranging, jazz history and other music courses, John Daversa might be seen with his goatee, and dense, dark and curly hair, parted in the middle, and correctly sense he might be involved in one of the ...


