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La Memoria e la Resistenza nel segno di Massiaen
by Libero Farnè
Musica Insieme Contemporanea San Filippo Neri, Bologna, 27.01.2015 Il concerto d'inaugurazione di MICO 2015, la rassegna di musica contemporanea organizzata dalla Fondazione Musica Insieme, ha coinciso con la Giornata della Memoria e alle sue finalità il programma era improntato. Ma l'appuntamento rientrava anche nel palinsesto di Resistenza Illuminata 1945--2015, un più ampio e ...
David Soler: Botánicas
by Enrique Turpin
Hay discos que nacen con la condición de outsiders. No sólo es que vayan a contracorriente, es que encuentran sentido en los márgenes. La periferia es su dominio y cobran sentido pleno cuando dejan descubrir su lateralidad. David Soler es el baricentro que equilibra las fuerzas, densidades y distancias del conjunto heterogéneo que es Botánicas. Un ...
Is Jazz Dead? Or Is It Just Pining for the Fjords?
by Duncan Heining
Is Jazz Dead? (Or Has It Moved to a New Address?)Stuart Nicholson288 pages, softcoverISBN: 978-0415975834Routledge2005Stuart Nicholson's Is Jazz Dead? (Or Has It Moved To A New Address?) came out in 2005 and has proved a remarkably successful book for both author and his publisher. ...
Louis Sclavis: Maps of the Mind
by Ian Patterson
"My music? I know what it is, and I don't know what it is. It's a paradox." Now entering his fifth decade as a recording artist, multi-reedist/composer Louis Sclavis may not have a clear handle on the music he makes, but he has absorbed the lessons of all the music he has turned his hand to, ...
Louis Sclavis Atlas Trio: Sources
by Ian Patterson
Multi-reedist, composer and improviser Louis Sclavis' ninth release for ECM sees this eternally restless seeker of new sounds and textures heading once more into personally unchartered territory; this is the first time Sclavis has led a trio of clarinet, guitar and piano. In guitarist Gilles Coronado and pianist Benjamin Mouassy, Sclavis has recruited open-minded musicians with ...
Matthew Bourne: Montauk, Billy Moon and the Lost Pianos
by Bruce Lindsay
"I've accepted that I'm not a traditional composer who sits and scores things out, plays them, learns them. I just have a rough sense of something and go out and do it. It often ends up being completely different," says pianist, improviser and composer Matthew Bourne. It's a characteristically honest appraisal, but it fails to do ...
A Capella Choral Works by Messiaen and His Students Stockhausen and Xenakis
The high-modernists did not typically work within an a capella choral framework. In fact the heyday of such a grouping belongs to the Middle Ages and the Rennaissance. After that there is a precipitous decline, except in religious-based music where of course liturgical traditions help encourage the continued emergence of new compositions for vocal groupings. Given ...
Karl-Heinz Stockhausen: Plus-Minus
by Raul d'Gama Rose
Karl-Heinz Stockhausen/Ives EnsemblePlus-Minushat(now)ART2010 There can be little doubt that the composer Karl-Heinz Stockhausen has had--and continues to have--an ever widening influence on contemporary music. Beginning in the 20th century and continuing on into the 21st century, Stockhausen's masterly use of tonal colour and advanced use of timbral ...
Pablo Held: Music
by Dan Bilawsky
Using the word “music" as an album title can be viewed as a bold and defining statement . . . or a simple word choice. Whether Held wanted to raise some eyebrows here or he was simply choosing an album title doesn't matter . . . but the music does! Held's original works defy easy description. ...
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