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341

Article: Album Review

Bridgeleap: Bridgeleap Plays the Albert Ayler Songbook

Read "Bridgeleap Plays the Albert Ayler Songbook" reviewed by Norman Weinstein


Few jazz revolutionaries have taken seriously Albert Ayler's improvisations on the bagpipes, an instrument only wholly showcased in albums by the neglected Rufus Harley. Bridgeleap, a western Canadian band with the unlikely instrumentation of bagpipes, trumpet, tablas and digital beats, has taken Ayler's occasional bagpipe blowing seriously, boldly creating an album of Ayler's greatest hits, with ...

90

Article: Album Review

Kekele: Kinavana

Read "Kinavana" reviewed by Norman Weinstein


This extraordinary album of Congolese rumbas from a quintet of musical veterans with about 200 years of musical experience among them is an enthralling musical lesson. As much as the rumba is usually identified as quintessentially Cuban, it has historic roots in the Congo. When Congolese music fans began seriously listening to recordings of Cuban rumba ...

442

Article: Book Review

Tango: The Art History of Love

Read "Tango: The Art History of Love" reviewed by Norman Weinstein


Tango: The Art History of Love Robert Farris Thompson Hardcover/384 pages Pantheon ISBN: 0375409319 2005 If you've wondered why the famous Argentine dance of tango has attracted numerous jazz artists from Gerry Mulligan to Wynton Marsalis, this stunningly passionate and informative overview of tango will quickly ...

292

Article: Album Review

Lee Morgan: Music for Lovers

Read "Music for Lovers" reviewed by Norman Weinstein


Although annotator Donald Elfman deftly deflects the issue in his concise booklet essay, Lee Morgan was shot to death by his lover, certainly adding an irony to this disc's title, not to mention the additional irony that the compilation includes “Since I Fell For You." That might seem a minor marketing gaff, but there are fascinating ...

283

Article: Album Review

Jimmy Smith: Music for Lovers

Read "Music for Lovers" reviewed by Norman Weinstein


This Music for Lovers compilation is probably the most restrained Jimmy Smith collection ever compiled, and it allows a rarely presented side of Smith's work from 1957-1960 to be spotlit. It's also an ideal showcase for Smith as delicately tasteful accompanist. An apt comparison would be to Oscar Peterson during the '50s. All ...

218

Article: Book Review

Dubwise: Reasoning From the Reggae Underground

Read "Dubwise: Reasoning From the Reggae Underground" reviewed by Norman Weinstein


Klive Walker Dubwise: Reasoning From the Reggae Underground Insomniac Press ISBN 1894663969 Paperback; 292 pages 2005This is a Trojan horse book, ostensibly about various facets of reggae music under-represented in reggae journalism, but on a certain level really a book about Jamaican jazz. As ...

412

Article: Profile

Lisa Thorson's Opening of the Jazz Stage

Read "Lisa Thorson's Opening of the Jazz Stage" reviewed by Norman Weinstein


Jazz composer and vocalist Lisa Thorson has long been a leader in making live jazz accessible to the broadest possible audience. In the words of the blues great Sonny Boy Williamson, she “brings eyesight to the blind", and from “just one word from her lips,... the deaf can hear." To achieve such miraculous feats, Thorson, unlike ...

270

Article: Album Review

Stan Getz: Plays for Lovers

Read "Plays for Lovers" reviewed by Norman Weinstein


This compilation enters a marketplace littered with Getz compilations--and it's superior to the lot. It triumphs over the ton of Verve Getz disks by virtue of not having “The Girl From Ipanema," which the Verve marketing department assumed jazz fans needed to own on at least five Getz discs. More seriously, this anthology, culled from the ...

621

Article: Opinion

The Perfect Jazz Audience on Record... From Ethiopia

Read "The Perfect Jazz Audience on Record... From Ethiopia" reviewed by Norman Weinstein


Not to add to the many rave reviews that have been justly offered on this site, I want to concentrate on just two facets of this completely remarkable recording. Worthy of this narrow a focus is “Shellela," a nearly eight minute “concerto" for the Ethiopian saxophonist Getachew Mekurya and the Either/Orchestra, and the audience response heard ...

435

Article: Album Review

Yusef Lateef: Psychicemotus

Read "Psychicemotus" reviewed by Norman Weinstein


This is a welcome reissue of one of a series of fine Impulse! albums by multi-instrumentalist Yusef Lateef that have never taken their deserved place among the major recordings of the '60s. I suspect part of the reason for their neglect has to do with the image, helped by both the Impulse!, and later Atlantic labels, ...


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