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9

Article: Album Review

Joshua Redman & Brad Mehldau: Nearness

Read "Nearness" reviewed by Doug Collette

by Doug Collette

Brilliant musicians don't always make brilliant music when they collaborate and while that's sometimes been the case with pianist Brad Mehldau and saxophonist Joshua Redman, on the duo concert recordings that make up the appropriately-titled Nearness, they live up to their elevated pedigree. And that's individual as well as shared cachet: Mehldau spent a fair amount ...

28

Article: Album Review

Mariza: Mundo

Read "Mundo" reviewed by Nenad Georgievski

by Nenad Georgievski

Even if you don't understand a word of Portuguese, the enormity of Mariza's gift is immediately and intoxicatingly evident upon first hearing. Armed with an alluring voice and arresting charismatic presence, Mariza is one of the great exponents of the Portuguese fado music and much more than that. Arriving several years after her strictly traditional take ...

20

Song of the Day

Let's Get Back

Album: Cuong Vu Trio Meets Pat Metheny
By Cuong Vu
Label: Nonesuch Records
Released: 2016
Duration: 7:23

6

Article: Album Review

Allen Toussaint: American Tunes

Read "American Tunes" reviewed by Jakob Baekgaard

by Jakob Baekgaard

The mighty river of American songs flows in many different directions: blues, gospel, jazz and funk are part of the muddy water that makes up the music. Pianist, composer, arranger and record producer, Allen Toussaint, who sadly passed away in 2015, was an important part of the ongoing legacy of American music. He ...

Article: Album Review

Cuong Vu Trio: Meets Pat Metheny

Read "Meets Pat Metheny" reviewed by Luca Muchetti

by Luca Muchetti

Vien quasi da sorridere. Il nuovo album sulla cui copertina spicca il nome di Pat Metheny è intitolato semplicemente Cuong Vu Trio meets Pat Metheny. E il motivo del mezzo sorriso che si stampa sul volto è duplice: non solo i cultori del chitarrista del Missouri sapranno bene che Cuong Vu è il trombettista che da ...

13

Article: Album Review

Brad Mehldau Trio: Blues and Ballads

Read "Blues and Ballads" reviewed by Dan McClenaghan

by Dan McClenaghan

Call Brad Mehldau's Blues and Ballads the pianist's “Every Man Set." There has been, from the beginning of Mehldau's career, a sense of the cerebral in his approach, with its classical music influences and his deep technical virtuosity. Throw the sometimes dense and erudite writing for selected liner notes (mostly earlier in his career) ...

Article: Album Review

Pat Metheny: The Unity Sessions

Read "The Unity Sessions" reviewed by Mario Calvitti

by Mario Calvitti

Il live in studio voluto da Pat Metheny per documentare il livello raggiunto dal gruppo nel corso del lungo tour mondiale che ha toccato 150 città vede ora la luce nella versione solo audio, dopo essere già stato pubblicato qualche mese fa come DVD/Blu Ray Disc. L'innesto del polistrumentista italiano Giulio Carmassi è bastato a trasformare ...

8

Article: Album Review

Allen Toussaint: American Tunes

Read "American Tunes" reviewed by Mike Jacobs

by Mike Jacobs

When it comes to the New Orleans sound and its purveyors, drummers may be the most integral, but the most celebrated are perhaps the pianists. Longhair, Booker, Rebbenack, Cleary, and even Fats Domino are all acknowledged to be in that pantheon. And certainly the name Toussaint has long been counted among them as well but, outside ...

14

Article: Album Review

Cuong Vu/Pat Metheny: Cuong Vu Trio Meets Pat Metheny

Read "Cuong Vu Trio Meets Pat Metheny" reviewed by Karl Ackermann

by Karl Ackermann

Vietnamese trumpeter Cuong Vu has been a frequent Pat Metheny collaborator dating back to the guitarist's Speaking Of Now (Warner Bros., 2002). It has taken well over a decade for Vu to flip the table, putting Metheny in a role he is seldom seen in, that of a sideman. In fact, across almost fifty albums, the ...

9

Article: Album Review

Cuong Vu Trio With Pat Metheny: Cuong Vu Trio Meets Pat Metheny

Read "Cuong Vu Trio Meets Pat Metheny" reviewed by Dan McClenaghan

by Dan McClenaghan

One of the most distinctive jazz sounds to have appeared this millennium has been shaped by Cuong Vu. Beginning with his It's Mostly Residual (ArtistShare, 2005) through Vu-Tet (ArtistShare, 2007) and into Leaps of Faith, (Origin Records 2011), the modernistic and often plugged-in trumpeter has crafted an assault of sound: a thick, sludgy, glow-in-the-dark, pugnaciously percussive ...


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