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Nik Bärtsch
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With the zen-funk quintet RONIN founded in 2001, Nik Bärtsch, a composer and pianist from Zurich,- together with Kaspar Rast (drums), Björn Meyer (bass), Andi Pupato (percussion) and lately Sha (bass/contrabass clarinet), proceeds with his work on RITUAL GROOVE MUSIC. Their music consistently follows the same aesthetic vision under various instrumental guises: creating the maximum effect by minimal means. Despite the multiplicity of the band’s influences, Ronin’s music always possesses a strong individuality. They incorporate elements of disparate musical worlds, be they funk, new classical music or sounds from Japanese ritual music. However, these forms are never merely juxtaposed in a post-modernist fashion but instead amalgamated into a coherent new style
Manfred Eicher: ECM 50 at Centre Culturel Flagey, Brussels
by Mario Calvitti
This article first appeared at italia.allaboutjazz.com. ECM 50Centre Culturel FlageyBrussels, BelgiumNovember 21-24, 2019 During the year marking the 50th anniversary of the foundation of the German record company ECM, there have been numerous music festivals in Europe and America dedicated to the official celebration of the event. One of ...
Manfred Eicher - L'uomo che fa accadere la musica: ECM 50 a Flagey, Bruxelles
by Mario Calvitti
ECM 50 Centro Culturale Flagey Bruxelles, Belgio 21-24.11.2019 Nell'anno in cui ricorre il cinquantesimo anniversario della fondazione della casa discografica tedesca ECM sono stati numerosi in Europa e America i festival musicali dedicati alla celebrazione ufficiale dell'evento. Uno dei più importanti è sicuramente stato quello svoltosi alla fine di Novembre a ...
"ECM Records at 50" at Lincoln Center
by Tyran Grillo
ECM Records at 50 Rose Theater, Lincoln Center New York, NY November 2, 2019 On the 1st and 2nd of November 2019, Jazz at Lincoln Center commemorated the 50th anniversary of ECM Records with two nights of musicians—many longtime associates, some newer additions—from the label's roster. More than that, it was ...
Nik Bärtsch e il Questionario di Proust
by Paolo Peviani
Il tratto principale della mia musica Una sensualità intelligente. La qualità che desidero nei musicisti che suonano con me L'ascolto. Come musicista, il momento in cui sono stato più felice Quando si riesce a stare insieme in modo naturale. Come musicista, ...
l'Oumigmag: Habitant
by Matt Hooke
L'Oumigmag's Habitant is an ambitious reimagining of traditional Quebecois folk, based on the environment and natural beauty of the area around the St. Lawrence River. It has a feeling of comfort that is often reminiscent of a friendly bluegrass jam. Habitant is a reference to the first French settlers of the St. Lawrence River. ...
5x3: Piano Trios: September 2019
by Geno Thackara
Well, some months are packed too full of these goodies to cover in batches of three. We can only hang on and try to keep up. Aki Rissanen Art in Motion Edition Records 2019 Past, present and future don't collide but smash together in one happy jumble ...
Ikarus: Mosaismic
by Mike Jurkovic
Like morse code lapping against the rampant stream of everything binary, the minimal groove of Germany's Ikarus—which is drummer Ramon Oliveras, pianist Lucca Fries double bassist Moritz Meyer and the wordless, gravity-free scat singing of Andreas Lareida and Anna Hirsch—makes for an edgy, compelling atmosphere. Economic to the point of sparseness, Ikarus, like its ...
Sipario sul Torino Jazz Festival 2019
by Libero Farnè
Torino, varie sedi 3-4.05.2019 Un assaggio del Torino Jazz Festival, partecipando solo alle due giornate conclusive, ha permesso di prendere atto di una delle scelte programmatiche, e cioè la volontà di portare alla ribalta musicisti torinesi di varie generazioni e notorietà, facendoli spesso interagire con ospiti internazionali. Non a caso anche i due ...
Jazz Crescendos Galore!
by Ludovico Granvassu
When creating a radio playlist one always has to make sure to sequence songs in a meaningful way. The dynamics of their interaction is critical. There should be not too many fast pieces played back to back, nor too many ballads one after the other. Fast and slow, soft and loud should be sequenced in a ...
