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164

Article: Extended Analysis

Brotherhood of Breath: Bremen to Bridgwater

by A. Henkin
February 16, 2004

The Brotherhood of Breath (BOB) is low on the list of visible big bands, rarely mentioned in the same breath as the giants of the genre - Basie, Ellington, Goodman - or its contemporaries - Sun Ra, Globe Unity, London Jazz Composers. This is a strange case since it can be argued that it was the ...

564

Article: Live Review

Jack Kleinsinger's Highlights in Jazz

by Elliott Simon
February 14, 2004

In jazz, the classic genres endure; Dixieland, swing and bop. For over three decades, the place in NYC to hear them in a creatively produced format has been “Highlights in Jazz". Series founder and producer, Jack Kleinsinger, is passionate in defense of his format. “If I am just going to book a group that people can ...

193

Article: New York Beat

Highlights in Jazz

by Nick Catalano
February 14, 2004

A while back at “Highlights in Jazz" the longest running jazz subscription series in Gotham, producer Jack Kleinsinger presented composer/musician/writer David Amram. At seventy, Amram is still producing, composing and playing marvelous musics that run the gamut from classical to folk to chamber to jazz and beyond that. A truly astounding eclectic, Amram has “hung out" ...

217

Article: Multiple Reviews

A Bob Brookmeyer Bonanza

by Elliott Simon
February 14, 2004

Turning 75 this year, valve trombonist Bob Brookmeyer brought his New Art Orchestra to town last month at the IAJE and a “Battle of the Bands” at the Village Vanguard. He endures as a master of the “cool” and continues to produce musical permutations resulting in elaborate and complex compositions that are clear and pure: music, ...

Article: Album Review

Libby York: Sunday in New York

Read "Sunday in New York" reviewed by Michael P. Gladstone

by Michael P. Gladstone
February 13, 2004

Libby York is a cabaret-type vocalist with jazz sensibilities on her second album, Sunday in New York. Released in an attractive digipak format with an A List jazz combo and a well-paced ten selections, this release should gain her some nationwide attention. Originally from Chicago, the leader relocated to New York for the 1980s and early ...

487

Article: Profile

The Latin Jazz Stylings of Irving Fields

by Elliott Simon
February 12, 2004

To completely capture the career of pianist, composer, and arranger Irving Fields is a difficult task. There are his “lounge" credentials, which place him at the top of pianists who played NYC's finest hotels and society rooms during the decades that immediately preceded and followed WWII. Piano trio albums such as Live at the Emerald Room ...

200

Article: Album Review

Rick Parker Collective: New York Gravity

Read "New York Gravity" reviewed by Peter Aaron

by Peter Aaron
February 11, 2004

Trombonist/composer/leader Rick Parker and his band are the best-kept secret in New York right now. But in light of this fine debut and a steadily growing live demand, the secret's not likely to be kept much longer. At 25, Parker is already a tested vet, sharing his horn talents with Frank Ku-umba Lacy's colossal ...

837

Article: Interview

James Spaulding: '60s Sideman Extraordinaire

by Clifford Allen
February 11, 2004

Born July 30th, 1937, alto saxophonist/flutist James Spaulding spent his formative years in Indianapolis, and moved to Chicago in the latter half of the '50s, appearing on early recordings by the Sun Ra Arkestra. Following a brief return to Indianapolis in 1962, he moved to New York and played with Freddie Hubbard, Randy Weston and Max ...

949

Article: Record Label Profile

Leo Records

by A. Henkin
February 10, 2004

The astrological sign Leo signifies dynamic and creative self-expression, the development of a strong and resilient ego and the capacity to celebrate life with spontaneity and joy. Though the founder of Leo Records, Leo Feigin, named the label after himself, not the sign, the astrological meaning is certainly an apt description of the man and his ...

427

Article: Multiple Reviews

Evan Parker: Alder Brook & Birds and Blades

by A. Henkin
February 8, 2004

Evan Parker, perhaps the John Coltrane of English music, has made a career of lending his utterly unique approach to any number of long-standing groups and individual recordings. By virtue of his complex musicianship and extremely open approach to group playing, he fits seamlessly in any configuration into which he is drawn, never dominating or flashy, ...