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The Vandermark 5: Alchemia
by A. Henkin
People always asked why Grateful Dead fans used to tour with the band; the answer was that they never played the same show twice. This box-set recording of the Vandermark 5's five-night stand at the Alchemia Club in Krakow, Poland last March does not quite live up to that high standard, but it does offer a ...
ROVA Orkestrova: Electric Ascension
by Kurt Gottschalk
Electing to interpret for the second time John Coltrane's seminal free jazz blowout Ascension was an odd move for West Coast sax quartet Rova to make on the band's 25th anniversary in 2003. Their motives aside, what it amounted to was restaging one of the band's least interesting records--based on a morass as individual as a ...
Five Play: Five Play ...Plus
by Elliott Simon
On the Brink (Arbors, 1999), the premiere effort from drummer Sherry Maricle's DIVA Big Band extraction Five Play, left no doubt that this all-female quintet can swing powerfully and bop across a broad musical spectrum. Maricle's upfront rhythms and the double alto attack of Karoline Strassmeyer and Laura Dreyer demonstrated a tight in-the-pocket sound that was ...
Fonda/Stevens Group: Forever Real
by Ernest Barteldes
The mood on Forever Real goes from the pleasant groove of the title track to more experimental moments in which trumpet player Herb Robertson and pianist Michael Jefry Stevens exchange jabs, as on the eight-minute “From The Source and the more up-tempo “The Stalker (eleven minutes that go in every possible direction), in which Robertson makes ...
Bucky Pizzarelli and Frank Vignola: Moonglow
by Andrew Velez
At least as evidenced by this collection of guitar duets, nothing but a mere few decades would seem to separate Bucky Pizzarelli (b. 1925) and Frank Vignola (b. 1965). Pizzarelli's lengthy resume includes years as a studio musician beginning in the '50s, touring with Benny Goodman, a celebrated guitar partnership with George Barnes, and popular stops ...
Andy Haas/Don Fiorino: Death Don't Have No Mercy
by Florence Wetzel
John Lennon once said that the world is run by insane people for insane purposes. So what's an ordinary citizen to do? One response is to make music, and Death Don't Have No Mercy is a clear response to the current insanity--namely the shameful war America is waging in Iraq. Good, we need more protest music. ...
Agrazing Maze: At The End Of The Day
by Elliott Simon
At the End of the Day is a refreshing modern jazz statement with strong original compositions from its nucleus of bassist Carlo DeRosa, pianist Enrique Haneine, and drummer Allison Miller. Contrasting grooves are united by the musicians' sparkling percussive twists and turns.The title piece is a Haneine composition that, with its relaxing piano-led tempo, ...
Don Friedman: Live at JazzBaltica
by A. Henkin
This group featured on this album, yet another in the happy slew of recordings coming out from Don Friedman in the last few years, is billed as the Salzau Trio. What this means is that on the occasion of Friedman's invitation to the 14th Annual JazzBaltica Festival in Salzau, Germany, he convened a trio with regular ...
Meshell Ndegeocello: The Spirit Music Jamia: Dance of the Infidel
by Kurt Gottschalk
Making jazz records is easy. Anyone with half a name and the slightest interest (read: Lea DeLaria and Queen Latifah) can hire a bassist and book a session. You don't really need any ideas, just a wisp of a voice and a desire to be “moody. Fortunately Meshell Ndegeocello is smarter than that. She's ...
Erik Hinds: Reign in Blood
by A. Henkin
It would seem on the surface that the visceral, hyper-masculine ambience of death metal would be at odds with the intellectual musings of free improvisation. However, since much of what Peter Brötzmann ever did is as violent as any metal, and many of today's free improvisors are young and grew up listening to the stuff, the ...
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