Results for "New York City"

Renee Rosnes

Born: March 24, 1962

Renee Rosnes is one of the premier jazz pianists and composers of her generation. Upon moving to New York City from Vancouver, Canada, she quickly established a reputation of high regard, touring and recording with such masters as Joe Henderson, Wayne Shorter, Bobby Hutcherson, J.J. Johnson, James Moody, and legendary bassist Ron Carter. She was a charter member of the all-star ensemble, the SFJAZZ Collective, with whom she toured for six years. Ms. Rosnes has released 17 recordings, and has appeared on many others as a sideman. In 2016, Written in the Rocks (Smoke Sessions) was named one of ten Best Jazz Albums of the Year by The Chicago Tribune, one of the Best Albums in all genres of music by The Nation, and was awarded a 2017 Canadian Juno (her fifth Juno award)

Gene Rodgers

Born: March 5, 1910

Gene Rodgers was an American jazz pianist and arranger. He is best known for being the pianist on Coleman Hawkins' famous 1939 recording of "Body and Soul".

Rodgers worked professionally from the mid-1920s, and in the next few years made recordings with Clarence Williams and King Oliver in addition to playing with Chick Webb and Teddy Hill. He started his own variety show in the 1930s, doing tours of Australia and England; while in the latter in 1936 he recorded with Benny Carter.

Upon his return he played with Coleman Hawkins (1939–40), Zutty Singleton, and Erskine Hawkins (1943)

Jamie Baum

NYC flutist, composer, Sunnyside Records artist, producer and educator, Jamie Baum, has toured the US and over 35 countries performing at major festivals, clubs and concert halls including the Monterey, Madrid, Oeiras, Bermuda, Edinburgh, North Sea, Winter Jazzfest and London Jazz Festivals, Tampere Jazz Happening, Guimaraes Jazz Festival, Jazztopad, Bimhuis, Unterfahrt, Jazz Gallery, Jazz Standard, 55 Bar, Dizzy’s, Blue Note, etc.. She’s performed with artists as renown and diverse as Randy Brecker, Roy Hargrove, Donald Brown, Tom Harrell, Paul Motion, Mick Goodrick and Kenny Barron to Dave Douglas, Fred Hersch, Leni Stern, Louis Cole, Jane Bunnett, David Binney, Ralph Alessi, Ben Monder, Anthony Braxton, Karaikudi Mani, V. M. Bhatt, Navin Chettri and Wadada Leo Smith.

Roy Ayers

Born: September 10, 1940

Roy Ayers was during the 1960s one of the most prominentand leading jazz vibraphone players in America. During the1970s and 80s he came to change his focus and becameone of the leading figures in R&B and jazz/funk. The 1990shas once again brought him into a new direction and he isnow regarded being one of the greatest innovators of theacid jazz movement. His music has often been described asbeing years ahead of it's time.

Ayers was born on September 10, 1940, in Los Angeles,California. Thanks to the influence of his mother, a pianoteacher, and his father, a trombone player, Ayers was amusical child. His introduction to the vibraphone came at theage of six, when his parents took him to a Lionel Hamptonconcert. After the show, Hampton handed Ayers a pair ofmallets, sealing the youngster's musical destiny with thatsimple gesture. It was not until he was 17 years old thatAyers finally got a chance to play the vibraphone, which heclaims had been his favorite instrument all along.

Clifton Anderson

Born: October 5, 1957

Clifton Anderson was born on October 5, 1957 in Harlem, New York City. He grew up surrounded by music. His father was a church organist /choir director, and his mother a singer and pianist. It was no surprise that Clifton exhibited an affinity for music at an early age. When he was just seven years old he got his first trombone, a gift from his uncle Sonny Rollins.

Clifton attended the prestigious Fiorello LaGuardia High School of Music and Art. In 1974 he spent one year at The State University of New York at Stony Brook studying under Simon Karasick and Dave Schechter. He continued his education at the Manhattan School of Music, and graduated in 1978 with a Bachelor of Music degree

Monty Alexander

Born: June 6, 1944

“For the most part, when I play music, I smell it and see colors. Every song has its own personality, its own soul, and if I can’t feel it, I can’t play it with feeling. I don’t understand what it is that makes me different, but I feel I have very little in common with anybody else. I seem to be my own strange character. If I’m right in my motivations and attitude, amazing things happen.”—Monty Alexander, 2010 “I love Jamaica. I love America. I love them both together more than each one separately. I inhabit the rhythmic aspect of both things. I can’t explain why. I do it naturally and joyfully

Josh Lawrence

Born: July 8, 1982

Josh Lawrence is a critically acclaimed trumpeter, composer, bandleader, and recording artist who serves as Director of Jazz Studies at Interlochen Center for the Arts.

​A "preeminent voice among young composers" (Downbeat 2017), Lawrence has received awards from and produced commissions for the Pew Center for Arts and Heritage (From the Vine), American Composers Forum (Mind Behind Closed Eyes), Kimmel Center for the Performing Arts (Life Mosaic), Revive X Metropolitan Museum of Art (Harlem Suite), Chamber Music America (Lost Works Live), Come Hear North Carolina (We Insist! FCO + Melanie Charles), and Festival of New Trumpet Music (Philly Twisted).

Vadim Neselovskyi

Born: November 8, 1977

The Los Angeles Times has praised Neselovskyi’s “extraordinary playing” while The Guardian (UK) has called him “the most promising of the young improvisers.” All About Jazz recognized his singular versatility, referring to him as “a strong pianist [as well as] a composer who blends form and freedom in new ways.”

Those diverse talents have attracted the attention of revered artists crossing the boundaries of genre, including legendary vibraphonist Gary Burton, who famously enlisted Neselovskyi for his acclaimed Generations Quintet; the prestigious Graz Philharmoniker, which performed his composition “Prelude for Vibes” on their New Year’s program; iconoclastic composer/saxophonist John Zorn, who invited Neselovskyi to contribute to The Book Beriah, the final installment of his quarter-century Masada project; and French horn/alphorn pioneer Arkady Shilkloper, a profound influence with whom the pianist now shares a longstanding duo collaboration.

Brown Baby Girl

The foundation for Brown Baby Girl, the inspired collaboration of Jamie Finegan and Lorenda Robinson, was laid in the fall of 1998 when Lorenda and Jamie wrote their first song together “Ignorant Bliss”. “Ignorant Bliss” was used as the title track on the soundtrack for the (Fisheye and Tonné Productions) film (of the same name). With Jamie serving as the creative facilitator, the song’s lyrics and melody, which up to that point, lived only in Lorenda’s head were given life. Jamie is a musician’s musician. Son of Grammy nominated composer/ arranger Bill Finegan, He composes, arranges, and plays trumpet and piano

Jay Frederick

Born: April 11, 1976

Originally from Birmingham, Alabama, Jay Frederick is a New York City-based artist who has impressed musicians and critics alike with his highly personal approach to the drumset as a powerful yet uncommonly delicate and sensitive instrument. Largely self-taught, Frederick received his first drum as a gift on his first birthday. He has been playing in some form ever since.

In the mid 90´s Frederick attended the University of Alabama at Birmingham where he double majored in music theory and composition (with a concentration in music technology) and philosophy (with a concentration in Value Theory)