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Nick Finzer: Legacy
by Pierre Giroux
In the realm of jazz, the legacy of J.J. Johnson looms large and immutable, casting an indelible shadow over the trombone's narrative. It is with reverence and a touch of audacity that trombonist Nick Finzer undertakes the task of honoring this titan with his album Legacy a centennial celebration of JJ Johnson. Joined by a stellar ensemble featuring Renee Rosnes, who served as the pianist in Johnson's quintet from 1989 to 1997, bassist Rufus Reid and drummer Lewis Nash, Finzer ...
read moreExotic Ivories: Hard Bop Piano and World Beat Rhythms
by AAJ Staff
This article was first published at All About Jazz in January 2002. Jazz piano and world music rhythm make an enchanting pair. With the popularization of world beat music, jazz musicians nurtured on straight-ahead precepts have incorporated instruments and musical concepts from other cultures into their art. Some, like saxophonist Sam Newsome on last year's release Global Unity, have exited traditional jazz entirely, adopting these international grooves wholesale. Others--clarinetist Don Byron, for instance, on his recent Your Are ...
read moreJohn La Barbera Big Band: Grooveyard
by Jack Bowers
Composer/arranger John La Barbera has been at the top of his game for more than half a century, and Grooveyard is simply another example of his undiminished artistry. Besides arranging everything--superbly, as always--La Barbera wrote six of the session's ten charming songs, escorting other treasures by Carl Perkins, Dave Brubeck, Curtis Fuller and Elvin Jones. As he writes his handsome and colorful big-band charts, La Barbera is always careful to observe Rule No. 1: they have to ...
read moreThe John La Barbera Big Band: Grooveyard
by Nicholas F. Mondello
The geometry, if you will, of a terrific big band recording is such that the three major elements--the players, the arrangements, and the performance--balance in every regard. Grooveyard from the John La Barbera Big Band is such an offering. The album features ten masterfully selected, arranged, and performed selections, each containing outstanding section, solo, and ensemble playing. Wes Montgomery's “Grooveyard" launches a hip, swinging first course in which tenor man Pat La Barbera and guitarist Brandon Coleman ...
read moreArtemis: In Real Time
by Katchie Cartwright
For drummer Allison Miller, a key feature of In Real Time is that this second Blue Note release captures the unique ensemble sound of Artemis. She stresses a palpable sonic integrity that she attributes to trust and chemistry. Renee Rosnes emphasizes the singularity of each player in the equation, underscoring “a striking juxtaposition between the stylistic approaches of the two saxophonists," Nicole Glover and Alexa Tarantino; “each illuminates the other." She adds, “ Nobody sounds like Ingrid," which is certainly ...
read moreArtemis: In Real Time
by Mike Jurkovic
Artemis double down on their fiery yet regal 2020 self-titled, Blue Note debut with a punchy, calligraphic flare (thanks in part to their younger contemporaries, in demand multi-reedist Alexa Tarantino and hellfire saxophonist Nicole Glover), catch fire, and watch it spread. An early, sure-fire contender for the tops-of-twenty-three list barrage, In Real Time is really very hard to resist, even when it falls out of step. “Balance of Time," though intoxicating in texture, seems out of sequence just ...
read moreNeil Swainson: Fire In The West
by Jack Bowers
It's hard to believe that 35 years have flown by between the release of bassist Neil Swainson's debut album, 49th Parallel (Concord Jazz), and his second, Fire in the West, recorded in November 2021 and released nine months later. But Swainson was hardly in hibernation during those years, as he has been one of Canada's busiest and most sought-after sidemen, traveling the world while working with the likes of George Shearing, Woody Shaw, Marian McPartland, Sonny Stitt, Slide Hampton, James ...
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