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21st Century Schizoid Band: Pictures of a City - Live in New York
by John Kelman
It's been 37 years since In the Court of the Crimson King dispensed with preconceptions of what rock music could or should be. And while Robert Fripp, a King Crimson co-founder and the group's only remaining original member, has steadfastly kept his eye on the future, archival reissues--including two outstanding Discipline Global Mobile retrospective box sets, ...
Charles Lloyd: Confluence
by Russ Musto
“It's all part of a continuum, Charles Lloyd says about the music of his new trio with Zakir Hussain and Eric Harland. “Sangam is a confluence, a meeting--it's a supercharged atmosphere when we get together. We play in the now, looking for the One. Zakir, Eric and I may come from different backgrounds, but it is ...
Ned Rothenberg: The Lumina Recordings
by Kurt Gottschalk
Reed and wind instrumentalist Ned Rothenberg is an almost frighteningly talented musician and composer. Without the charismatic approach of other downtown players--people like John Zorn and Elliott Sharp, who borrowed from different genres to define their sound--Rothenberg's focus has been on mastering his instrument. And despite his humble statement of hearing a “not yet fully formed ...
John Surman / John Warren: Tales of the Algonquin
by Marc Medwin
Much was in the air in early-'70s British music, where various configurations explored the fringes of tradition while maintaining allegiance to fixed forms. Tales of the Algonquin exemplifies the times perfectly. One complaint: the audio is only passable. (But if this transfer was taken from an LP, the stunted sound is understandable.)In any case, ...
Bergen Big Band with Karin Krog: Seagull
by Marc Medwin
Norwegian singer Karin Krog is best known in more avant-garde settings, so this big band session of standards came as a surprise. The experience grew more and more pleasant as the music progressed--Krog's conversational delivery is engaging and her obvious joy in the music is infectious. Approaching 70, Krog is as energetic and as thoughtful as ...
Albert Ayler: Slug's Saloon
by Francis Lo Kee
Albert Ayler's name has come to mean different things to different people. Some think of him as the ultimate free jazz musician, others a fraud; some know his connection and subsequent projection of church music, and a few people actually knew him as a good friend. His death in 1970, an apparent suicide at the age ...
Joseph Holbrooke Trio: The Moat Recordings
by Marc Medwin
May is Derek Bailey memorial month at The Stone. It's fitting, then, that these Joseph Holbrooke recordings emerge now, as we mourn the fact that Bailey isn't physically with us anymore. The notes indicate that he was involved in the choice of material up to the end, happy that it was finally going to be released ...
Odean Pope Saxophone Choir: Locked and Loaded
by Ty Cumbie
On Locked and Loaded, Odean Pope and his saxophone choir offer up lush, drum-tight voicings as gorgeous and rich as any golden age big band section, then shift gear from full-throated crooning to full-throttle blowing with no audible effort. The first two tracks, both Pope originals, set the agenda: the standard-ish ballad “Epitome," which is nearly ...
Andrew Bishop: Time and Imaginary Time
by Donald Elfman
This recording is a free-form, freewheeling delight. It's new music from a piano-less group, but the spirit is so playful, the soundscapes are so simple and rich, and the playing is so accomplished and together, that this “dense" and “complicated" new music falls richly and beautifully on the ears. As a composer, Andrew ...
Paul Rutherford: A Musician's Impulse
by Clifford Allen
An architect of free improvisation on the trombone, Englishman Paul Rutherford was, along with German Albert Mangelsdorff, one of the first to fully develop the potential of multiphonics on the instrument. Renowned as a soloist, his work with the Spontaneous Music Ensemble, drummer Tony Oxley, and his own Iskra ensembles was a catalyst of what has ...
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