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MUSICIAN Born:

Fred Haas

Fred Haas, a Dartmouth graduate ('73), teaches Saxophone, Jazz Piano, Improvisation, Jazz History and Music Theory at Dartmouth College. He lives in Hartland, Vermont, and travels throughout New England and beyond performing and recording with a variety of musicians. Fred brings to each of his performances and workshops a depth of experience and knowledge from over thirty-five years as a jazz musician and educator. His goal is to communicate a broad range of emotions through music as well as share information about the history of jazz and the art of jazz improvisation. In 1997 Fred founded Interplay Jazz Camp, which provides an opportunity for musicians of all ages to participate in a relaxed and supportive learning environment with an experienced faculty that focuses on key aspects of the improvisational art of jazz

MUSICIAN Born:

Adam Claussen

Originally from Derry, New Hampshire, Adam is a graduate of the University of Miami Frost School of Music with a B.M. in Studio Music & Jazz. Adam has accumulated over a decade of experience in music, and has developed professional-grade skills in saxophone/flute/clarniet performance, teaching, composition, arranging, film and media music, orchestration, video editing, and much more. At the Frost School of Music, Adam studied saxophone under Gary Keller. He has performed with many ensembles at Frost, including the Downbeat Award-winning Concert Jazz Band under the direction of Grammy-Winning musician John Daversa, the Frost Septet, and the Henry Mancini Institute Orchestra, as well as numerous other ensembles

ARTICLE: ALBUM REVIEW

Jazzedelics: Jazzedelics

Read "Jazzedelics" reviewed by Graham E Peterson

Opening with the burning re-harmonization of Jimi Hendrix's “Fire," the Jazzedelics incorporate all of the rhythmic intensity of the king of psychedelic rock's massive sound while reimagining the song in fresh and new harmonic territory. The band sets out to take some of the 1960's most notable recordings and recreate them as if jazz musicians had ...

ARTICLE: ALBUM REVIEW

Ken Silverman: Parallel Man

Read "Parallel Man" reviewed by Graham E Peterson

A modern guitar trio led by New York City guitarist Ken Silverman comes out of the gate burning with rhythmic intensity on the title track “Parallel Man." Silverman develops a motif of parallel guitar lines while a powerful rhythm sections support his development. He enters into a glistening glissando section bringing to mind sounds of sitar ...

ARTICLE: ALBUM REVIEW

Chris Klaxton: Starcode

Read "Starcode" reviewed by James Nadal

Oftentimes the back story behind the motivation and inspiration for songs compiled on a record is just as fascinating as the music itself. Case in point is trumpeter Chris Klaxton, whose interest in subjects as diverse as astrophysics, the intellectual philosophies of Ouspensky and Gurdjieff, and spiritual continuity of life, culminated in his recording Starcode. Though ...

NEWS: RECORDING

In The Tradition Of Keith Jarrett And Lyle Mays, Solo Pianist Jim Robbins Releases "Only Two Things"

In The Tradition Of Keith Jarrett And Lyle Mays, Solo Pianist Jim Robbins Releases "Only Two Things"

Jim Robbins, professional solo pianist and recording artist, has released his newest CD—Only Two Things. In the tradition of Liz Story, George Winston, Lyle Mays and Keith Jarrett, listeners have described his music as “beautiful," “remarkable," and “compelling." One Amazon reviewer remarked, “It is, quite simply, one of the most unique and beautiful listening experiences I ...

Behind the Lens With Michael Reilly

Read "Behind the Lens With Michael Reilly" reviewed by Michael Reilly

Meet Michael Reilly:I am a painter of jazz, when the painting is right you can see the music come through the brush. I have been painting of 25 years, Jazz to me is the perfect thing to paint; it combines both my passions.View more Michael Reilly photos at All About Jazz

ARTICLE: GNOME NOTES

The Barley Pub: New Hampshire's Jazz Epicenter

Read "The Barley Pub: New Hampshire's Jazz Epicenter" reviewed by Chris Rich

The rock club era was some strange evolutionary fail done in by its bombast and bloat.Jazz still suffers from the fern bar model, a hangover from disco days and proto yuppies with combo's pumping standards to fuel brunch and drinks gluttony or provide that perfect ambiance for conspicuous consumption evenings on the town.

NEWS: PERFORMANCE / TOUR

The Left Banke Tours New England, July 6 And 7

The Left Banke Tours New England, July 6 And 7

The Left Banke will be performing two concerts in New England Fourth of July Weekend. On July 6 the group will be performing at Tupelo Music Hall, 2 Young Road, in Londonderry, at 8 PM. Admission is $35. The venue phone is 603-437-5100. On the 7th of July, hear the Left Banke live at Infinity Hall, ...

NEWS: RECORDING

New Release! Thom Keith/Larry Gelberg - Discussions: Live at Lotus Moon

New Release!  Thom Keith/Larry Gelberg - Discussions: Live at Lotus Moon

Larry Gelberg and Thom Keith met through the world-wide web. Initially, they were trying to form a saxophone quartet, but the collaboration was to happen in other settings later on. This marks the first time the two have appeared in public with a live band, after collaborating on numerous recordings over the past half decade. Digging ...


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