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35

Article: Interview

Sisonke Xonti: A Leap of Faith

Read "Sisonke Xonti: A Leap of Faith" reviewed by Seton Hawkins


Known for years as an outstanding saxophonist and first-call collaborator in a variety of top South African Jazz ensembles, in recent years Sisonke Xonti has rightly earned acclaimed for his own talents as a bandleader and a composer. Notably, Xonti's 2017 debut release Iyonde not only provided a stellar showcase for his superlative horn ...

64

Article: Interview

Aaron Rimbui: Nairobi to New York City

Read "Aaron Rimbui: Nairobi to New York City" reviewed by Seton Hawkins


Kenya is noted for an extraordinary array of musical offerings yet its jazz scene has historically been quite slim. However, Nairobi-born pianist Aaron Rimbui may change that dynamic. Drawing on the musical traditions of Kenya and East Africa, Rimbui has established a singular and absolutely arresting approach to jazz piano. With several ...

33

Article: Radio & Podcasts

Jazz of the New South Africa, Part Two

Read "Jazz of the New South Africa, Part Two" reviewed by Seton Hawkins


South Africa celebrated its first democratic elections in April 1994, entering a new phase of its history. During that decade, an incredible new array of Jazz artists emerged in the country, exploring Jazz's role in the New South Africa. Playlist Hilton Schilder “Email to the Ancestors" from No Turning Back (Mountain Records) 1:11 ...

87

Article: Interview

Yakhal' Inkomo: A South African Masterpiece at Fifty

Read "Yakhal' Inkomo: A South African Masterpiece at Fifty" reviewed by Seton Hawkins


On July 23, 1968, a now-legendary recording session took place in Johannesburg, South Africa, one that would ultimately prove a defining moment in the country's Jazz history and development. Led by tenor saxophonist Winston Mankunku Ngozi, a quartet that included pianist Lionel Pillay, bassist Agrippa Magwaza, and drummer Early Mabuza would record the album Yakhal' Inkomo. ...

73

Article: Interview

Mandla Mlangeni: Born to Be

Read "Mandla Mlangeni: Born to Be" reviewed by Seton Hawkins


Mandla Mlangeni has been engaged. The South African trumpeter, composer, and bandleader oversees three groups, notably the Amandla Freedom Ensemble and the Tune Recreation Committee. Additionally, his works are marked by an intense effort to explore and connect with social discourse in the country today. Indeed, from the Tune Recreation Committee's naming nod to South Africa's ...

67

Article: Interview

Salim Washington: To Be Moved to Speak

Read "Salim Washington: To Be Moved to Speak" reviewed by Seton Hawkins


To audiences in Boston or New York, Salim Washington is not just a great musician, he is a community builder. Having first established the Roxbury Blues Aesthetic, then the Harlem Arts Ensemble, Washington has throughout his career carefully nurtured collectives of musicians who in turn generated irreplaceable music scenes at venues like Connolly's in Boston and ...

54

Article: Interview

Linda Sikhakhane: Two Sides, One Mirror

Read "Linda Sikhakhane: Two Sides, One Mirror" reviewed by Seton Hawkins


Though it has not received the level of press attention it warrants, South Africa's Jazz scene of the past decade has experienced an astonishing flourishing of artistry and development. While the scene lost some of its titans like Zim Ngqawana, Winston Mankunku Ngozi, and Bheki Mseleku, it has also found new paths through the efforts of ...

68

Article: Interview

Nduduzo Makhathini: Jazz Is a Shared Memory

Read "Nduduzo Makhathini: Jazz Is a Shared Memory" reviewed by Seton Hawkins


It can be overwhelming to keep up with the artistic growth, creative reach, and constant development that marks the career of Nduduzo Makhathini. In the past four years, he has released eight solo albums, all exploring remarkably different territories and demonstrating a ceaselessly probing mind and inventive creative urge. In addition to that, he has emerged ...


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