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455

Article: Album Review

Komeda Project: Requiem

Read "Requiem" reviewed by Stuart Broomer


Krzysztof Komeda is a figure of immense significance in Polish jazz, in effect the musician who both gave it its original authentic voice and marked its place in the world. In the 15 years before his death in 1969, Komeda was active as bandleader and film composer, scoring films by Roman Polanski like Two Men and ...

448

Article: Album Review

Orrin Evans: Faith In Action

Read "Faith In Action" reviewed by Bruce Lindsay


Faith In Action is Orrin Evans' first album on Posi-Tone Records and serves to further enhance the reputation of this New York-based pianist. The album is, in part, a tribute to and interpretation of the music of his friend and mentor, saxophonist Bobby Watson, who contributes five of the twelve tunes. It's a fine tribute, indeed, ...

1,375

Article: Interview

Komeda Project: Bringing New Life to a Legend

Read "Komeda Project: Bringing New Life to a Legend" reviewed by Bruce Lindsay


Komeda Project is dedicated to the music of the great Polish composer Krzysztof Komeda. Komeda died young--days before his 38th birthday. During his relatively short life, he composed numerous film scores and jazz tunes and was responsible for the seminal album Astigmatic (Muza Records, 1965)--one of Jazzwise Magazine's “100 Jazz Albums that Shook the World." It ...

296

Article: Multiple Reviews

Drummer Leaders: Ted Sirota, Tim Kuhl and Nasheet Waits

Read "Drummer Leaders: Ted Sirota, Tim Kuhl and Nasheet Waits" reviewed by George Kanzler


Ted SirotaSeize the TimeNaim Jazz2009 Tim KuhlKingWJF2009 Nasheet WaitsEqualityFresh Sound-New Talent2009 Three young drummers bring their own distinctive rhythmic cast and musical ...

360

Article: Album Review

Komeda Project: Requiem

Read "Requiem" reviewed by Eyal Hareuveni


Komeda Project's Requiem is released 40 years after the untimely death of the great Polish composer and pianist Krzysztof Komeda, best known for his original soundtracks to Roman Polanski's films Knife in the Water and Rosemary's Baby, as well as his work with great Polish trumpeter Tomasz Stanko. The European-American Komeda ensemble--pianist/arranger Andrzej Winnicki, trumpeter Russ ...

1,147

Article: Live Review

Buenos Aires Jazz Festival 2009: Growing Into a Tradition

Read "Buenos Aires Jazz Festival 2009: Growing Into a Tradition" reviewed by R.J. DeLuke


Buenos Aires International Jazz Festival '09, Part 1 December 3-8, 2009In the land of the tango, Argentina--specifically the stylish city of Buenos Aires--there is a movement afoot to bring great jazz to the land, expand the audience for the music, and increase public exposure for the growing number of outstanding jazz musicians in ...

518

Article: Album Review

Dave Rempis / Frank Rosaly: Cyrillic

Read "Cyrillic" reviewed by Troy Collins


Since 2004, the duo of saxophonist Dave Rempis and drummer Frank Rosaly has committed to exploring the textural, tonal and rhythmic possibilities of spontaneous improvisation, drawing upon a rich legacy of similar pairings for its studio debut, Cyrillic. Chicago scene regulars whose congenial rapport has been honed in The Rempis Percussion Quartet and The Ingebrigt Haker ...

Album

Requiem

Label: WM Records
Released: 2009
Track listing: Night-Time, Daytime Requiem; Ballad for Bernt; Dirge for Europe; Astigmatic; Elutka; Prayer and Question; Litania; Anubis

244

Article: Album Review

John Hebert: Byzantine Monkey

Read "Byzantine Monkey" reviewed by Stuart Broomer


John Hébert's Byzantine Monkey begins with a loop of the traditional “La Reine de la Salle" sung by Odile Falcon in an ancient reedy voice, Hébert's improvised bass joining in, his lines at once swift and empathetic, lyrical and microtonal, his sound deeply resonant and every metallic buzz of string and finger captured. It's an arresting ...

672

Article: Album Review

Komeda Project: Requiem

Read "Requiem" reviewed by Chris May


Despite the snowballing emergence of European jazz musicians on the world stage, relatively few European jazz composers have, in 2009, made it into the global repertory, which continues to be dominated by American voices. Perhaps it always will be, and perhaps local singularities--Italian or British or Scandinavian or whatever--are in any case better treasured, rather than ...


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