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The Legacy of Big Star: Alex Chilton, Chris Bell and Luther Russell
by Doug Collette
Big Star, the late lamented forefathers of power-pop as we know it, was a star-crossed group in virtually every sense William Shakespeare might've intended. The group suffered as much external as internal strife, ranging from unforeseen business slip-ups that muffled the impact of their record releases to the equally startling departure of linchpin Chris Bell in ...
Jon Catler: Sacred and Profane
by Geno Thackara
On a certain fundamental level, music really comes down to math. The notes we consider normal are based on certain frequencies of sound vibration, after all, the pitches that make sense to our ears and that we find pleasing when they react in the right ways relative to each other. Jon Catler, however, is one fellow ...
Two Sides of Marc Copland: Quartet and Solo
by Jakob Baekgaard
Anyone interested in discovering the fascinating story of pianist Marc Copland should start out by reading John Kelman's excellent article: “Marc Copland: Growth Through Collaboration" (2005). It follows the trajectory of an artist that has evolved immensely throughout his career, with the most radical change being the shift in instrument from saxophone to piano. This shift ...
L'eclettismo di Satoko Fujii
by Neri Pollastri
Mentre è uscito Solo, primo dei ben dodici album che Satoko Fujii ha annunciato per il 2018, anno in cui compirà sessant'anni, ci occupiamo qui di tre dei numerosi ed eccellenti lavori da lei pubblicati nel 2017, che ne illustrano particolarmente la poliedricità: nel primo infatti Satoko non è al pianoforte, bensì alla fisarmonica; nel secondo ...
A Pair From Lewis Porter: Beauty & Mystery/Three Minutes To Four
by Dan Bilawsky
Lewis Porter is living proof that the marriage of a wide knowledge base and an open mind makes for a beautifully creative whole. As an esteemed author, a revered academic, a highly respected composer, and a first-rate pianist, Porter operates from a unique, variable-angle vantage point occupied by few others. He knows from whence this music ...
Joao Barradas: A New Place For The Accordion In Jazz?
by Chris Mosey
In the 1940s Art van Damme swung sweetly on the accordion with cover pictures of beautiful girls sipping cocktails. Then, in the 1950s, the ebullient Angelo DiPippo introduced the instrument to hipsters at the Newport jazz festival before going on to play in the wedding sequence of the first Godfather movie.
Latest From Eva-Maria Houben On Edition Wandelweiser
by John Eyles
The last 2017 batch of releases from the Edition Wandelweiser label consisted of six albums including one by the Swiss duo of Cyril Bondi and d'incise, a double album of piano pieces by the late Hermann Meier played by Dominik Blum, and a chilling but intriguing Michael Winter album featuring readings from The Limits of Mathematics ...
Rock Candy: Montrose (eponymous) & Paper Money
by Doug Collette
The late Ronnie Montrose was a guitar hero for our times if there ever was one. An uncommon combination of skills in which he fused as much finesse as power enabled him to assume him a wide-ranging series of sideman gigs and solo projects, the dual results of which were, unfortunately, inextricably intertwined: he was impossible ...
Rudresh Mahanthappa’s Indo-Pak Coalition & Rez Abbasi’s Invocation
by Mark Sullivan
Two nearly simultaneous releases that shine an especially interesting light on the three players they have in common. In addition to leading the two dates, alto saxophonist Rudresh Mahanthappa and guitarist Rez Abbasi play prominent performance roles in both, and Dan Weiss provides drums (and tabla). Both projects mark the return of their respective bands: the ...
Solo: Reflections and Meditations on Monk & Najwa
by Doug Collette
Wadada Leo Smith's most recently recorded albums reaffirm this trumpeter/composer/bandleader's deep, abiding loyalty to his muse. Equally so on stage or in the studio, Smith's devotion to the creative impulse is absolutely unwavering, and, as a result, his works are pure, direct expressions of his concepts, undiluted by compromise. Such is the uniformity of his execution ...
