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Mark A. Lomax: The State of Black America
by Raul d'Gama Rose
There has not been such an in-your-face title for an album of music in a long, long time. Drummer Mark Lomax has decided that it is necessary and, therefore, goes for the jugular by calling his album The State of Black America. Perhaps the release is timely, with racism seemingly raising its ugly head more frequently ...
New Voices: Sarah Manning, John Escreet, Kneebody
by J Hunter
Jazz is like the human body. It needs fresh air, constant activity and a steady stream of nutrients to stay hale and hearty. Conversely, if all the genre does is sit in a comfy chair and try to live on what came before, it becomes sedentary, incurious and--ultimately--self destructive. Fortunately, the young keep jazz active and ...
Vision Festival 2010: Day 2, June 24, 2010
by John Sharpe
Prologue | Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 Muhal Richard Abrams, Joseph Jarman, John TchicaiVision FestivalAbrons Arts CenterNew York CityJune 24, 2010 Never has the Vision Festival tradition of honoring the lifetime achievement ...
Vision Festival 2010 - Opening Night
by John Sharpe
Prologue | Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 Opening Invocation, The Blues Escaped, Stomp It, Rob Brown New Quartet, Broken Flowers, In Order To SurviveVision FestivalAbrons Arts Center23 June 2010 After three days of activity ...
Honoring Heroes of Jazz, with Words, Silence and Improvisation
Jazz has a long tradition of heroism, both in practice and reception, in the acts of musicians and how they are understood. For the last few generations, hard-core jazz audiences have spent a lot of time worrying that the academic might be riding up on the intuitive, and that the sense of heroism might be slipping ...
Fred Anderson: 1929-2010
by Kurt Gottschalk
There aren't many artists with so singular a vision as that of late Fred Anderson, who died June 24 at the age of 81. There are fewer to be certain if the list is restricted to members of that exalted and nebulous class called “masters." It's a word that, in jazz, gets thrown around a little ...
John Escreet: Don't Fight The Inevitable
by Bruce Lindsay
British pianist John Escreet is a prodigiously talented young musician with a growing reputation as a player and composer. Don't Fight The Inevitable--his second solo album, following 2008's acclaimed Consequences (Posi-Tone Records)--finds Escreet in the company of top-flight New York players, creating some intense and complex music. The quintet is almost identical to ...
John Escreet: Don't Fight The Inevitable
by Dan Bilawsky
Highbrow compositions and intuitive musicianship work hand-in-hand with stellar results on pianist John Escreet's Don't Fight The Inevitable. Escreet's band of like-minded modernists, including saxophonist David Binney and trumpeter Ambrose Akinmusire, had the opportunity to work through this music on the bandstand during a European tour, an experience that helped them to delve deeply into these ...
Muhal Richard Abrams / Roscoe Mitchell: Spectrum
by Kurt Gottschalk
Muhal Richard Abrams and Roscoe Mitchell are arguably the two figures most central to the birth and rearing of the seminal '60s collective the Association for the Advancement of Creative Musicians (AACM). The organization was borne out of Abrams' Experimental Band and the first standing group to emerge from it was the Roscoe Mitchell Art Ensemble ...
John Escreet: Don't Fight the Inevitable
by John Kelman
Since moving to New York in 2006, pianist John Escreet has positioned himself as one of the scene's most significant up-and-comers. In addition to performances with artists including Chris Potter and Seamus Blake, he's a member The Story, which released its self-titled debut independently in 2009. Escreet also gigs with David Binney, appearing on Aliso (Criss ...
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