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Bill Laswell/Milford Graves/John Zorn at The Stone
by Tyran Grillo
Bill Laswell/Milford Graves/John Zorn The Stone New York, NY December 19, 2017 How do you fit a camel through the eye of a needle? On December 19, the music summoned by Bill Laswell, Milford Graves, and John Zorn answered that very question: By starting with a larger needle, ...
Manolo Cabras
by Vincenzo Roggero
1. Roberto Dani, Drama (stella nera, 2009) Sono pochi gli artisti che riescono a esprimersi in maniera così naturale in solo. Un disco tridimensionale!!!!! 2. Edward Vesala, Lumi (ECM, 1987) Per gli amanti dell'ECM anni '80. Un progetto decisamente originale con un'orchestrazione di ampio spettro e atipica. Divertente.
William Parker & Stefano Scodanibbio Bass Duo To Be Released March 24 On Centering Records
On March 24, Centering Records (dist. by AUM Fidelity) will release Bass Duo, which presents the historic and only performance meeting of these two renowned and innovative bass masters, each representing distinct musical traditions; both fully committed to the summit at hand. It was recorded during the Udin&Jazz 2008 Festival in Udine, Italy at Teatro San ...
Arthur Williams: Forgiveness Suite
by John Sharpe
Forgiveness Suite belatedly constitutes trumpeter Arthur Williams' first leadership date. A mysterious and troubled soul who flew below the radar, even within free jazz circles, Williams surfaced on a handful of albums in the 1970s and 80s before dropping from view not long after. His most notable appearances are documented on saxophonist Frank Lowe's Lowe And ...
Milford Graves al Centro di Ricerca Musicale di Bologna
by Libero Farnè
Milford Graves -"Cell Melodies" Centro di Ricerca Musicale Bologna 07-09.11.2016 Un evento unico. Un incontro fra musica e scienza nel segno di più generali connessioni universali dai risvolti quasi mistici. Una full immersion di tre giorni per presentare e verificare esperimenti sulle diverse risposte delle cellule staminali a differenti stimoli musicali. ...
Mette Rasmussen/Paul Flaherty/Chris Corsano: Star-Spangled Voltage
by Mark Corroto
I prefer the moniker 'fire music' over the descriptor 'free jazz.' It does a better job illustrating what improvising musicians achieve when they venture into the driving rhythms and forward momentum of this music. Good free jazz sounds like a bonfire. Great free jazz sounds, and feels like a barely contained wildfire. This first meeting between ...
William Hooker: Light The Early Years 1975-1989
by Mark Corroto
The good news is that record executives are no longer the gatekeepers of taste and style in music today. Inexpensive recording equipment and the advent of digital music allow the artist, and the audience to cast a wide net these days. This wasn't the case forty years ago, especially for the improvised jazz scene. Studio time ...
2015: The Year in Jazz
by Ken Franckling
The year 2015 was a curious blend of ups and downs, with glimmers of optimism offset by its losses. Venues opened to great fanfare, but others closed for a variety of reasons. UNESCO's International Jazz Day became firmly entrenched as the exclamation point on Jazz Appreciation Month activities in April. Daily arts journalism took a hit ...
Free Jazz Group Wiesbaden: Frictions / Frictions Now
by John Sharpe
History is written by the victors. That holds as true for art as for war. When looking for pioneers from the formative days of free jazz in Germany, the names of reedmen Peter Brötzmann and Gunter Hampel, trumpeter Manfred Schoof and pianist Alexander von Schlippenbach are likely to spring to mind. But now the Lithuanian No ...
Take Five with Rob Saffer of the Creative Music Foundation
by AAJ Staff
In this installment of Take Five we hear from Executive Director Rob Saffer of the Creative Music Foundation, an organization founded in 1971 by Karl Berger, Ingrid Sertso and Ornette Coleman. CMS has brought together leading innovators in the jazz and world music communities through their CMS workshops. About the Creative Music Studio Fall ...
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