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William Hooker: Light The Early Years 1975-1989
by Mark Corroto
The good news is that record executives are no longer the gatekeepers of taste and style in music today. Inexpensive recording equipment and the advent of digital music allow the artist, and the audience to cast a wide net these days. This wasn't the case forty years ago, especially for the improvised jazz scene. Studio time ...
2015: The Year in Jazz
by Ken Franckling
The year 2015 was a curious blend of ups and downs, with glimmers of optimism offset by its losses. Venues opened to great fanfare, but others closed for a variety of reasons. UNESCO's International Jazz Day became firmly entrenched as the exclamation point on Jazz Appreciation Month activities in April. Daily arts journalism took a hit ...
Free Jazz Group Wiesbaden: Frictions / Frictions Now
by John Sharpe
History is written by the victors. That holds as true for art as for war. When looking for pioneers from the formative days of free jazz in Germany, the names of reedmen Peter Brötzmann and Gunter Hampel, trumpeter Manfred Schoof and pianist Alexander von Schlippenbach are likely to spring to mind. But now the Lithuanian No ...
Take Five with Rob Saffer of the Creative Music Foundation
by AAJ Staff
In this installment of Take Five we hear from Executive Director Rob Saffer of the Creative Music Foundation, an organization founded in 1971 by Karl Berger, Ingrid Sertso and Ornette Coleman. CMS has brought together leading innovators in the jazz and world music communities through their CMS workshops. About the Creative Music Studio Fall ...
Milford Graves/Bill Laswell: Space / Time - Redemption
by John Sharpe
Drummer Milford Graves boasts a pedigree stretching back to the first tide of Free Jazz in the 1960s, most prominently as the drummer for the storied New York Art Quartet. His infrequent forays onto disc since have resulted in underground classics such as Nommo (SRP, 1966) with pianist Don Pullen and Babi Music (IPS, 1976) with ...
Milford Graves/Bill Laswell: Space / Time - Redemption
by Dave Wayne
An unlikely duo, yet-somehow-also the perfect duo, electric bassist Bill Laswell and multi-percussionist Milford Graves generate all sorts of musical fire on Space -Time: Redemption. Once again, TUM Records' lush packaging includes numerous photos, copious liner notes, and some uncannily prescient poetry by longtime Laswell associate Umar Bin Hassan. One of the photos shows Graves adjusting ...
Music Education Monday: A master class with percussionist Milford Graves
The week for “Music Education Monday," we've got a different kind of master class for drummers. While most drum workshops are full of talk of exercises, licks and rudiments, Milford Graves deals with concepts and philosophy as much as technique, as befits his status as one of the elder statesmen of free jazz drumming. First coming ...
Milford Graves/Bill Laswell: Space / Time - Redemption
by Budd Kopman
Music is a mysterious thing, and in a sense, all music that ever was and ever could be exists right now, just waiting for the right musician to bring it forth. Music is meant to be experienced and not merely listened to. Its power is in its emotional content which is conveyed to us ...
Frank Lowe: Out Loud
by Mark Corroto
Musical archeology has become somewhat of a trend these days. It might be explained, in part by the rebirth of vinyl and the excavation of long out-of-print titles, but also there are scores of devoted collectors who've discovered unpublished recordings of significant artists. For the serially neglected avant-garde of jazz, some of these finds have been ...
Jimmy Giuffre 3 & 4: New York Concerts
by Giuseppe Segala
Documento di importanza storica, portato alla preziosa pubblicazione dalla tenacia del produttore Zev Feldman che lo ha rinvenuto nel 2012 nell'archivio di George Klabin, presidente dell'etichetta Resonace Records, New York Concerts rimedia a una lacuna nella produzione di Jimmy Giuffre e nel contempo dà modo di ascoltare alcune tra le sue musiche più significative. A renderle ...
