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Results for "Milford Graves"
New York Art Quartet: Old Stuff
by Troy Collins
Despite their involvement in the seminal 1964 October Revolution in Jazz concert series and a few high profile gigs in Europe the following year, the short-lived New York Art Quartet remains under-sung but legendary, with only two official studio recordings to its name--the self-titled 1964 ESP debut and Mohawk (Fontana, 1965). For years the only other ...
Evan Parker Residency with McPhee, Shipp, Zorn, Courvoisier, et al. at The Stone, NYC
by Gordon Marshall
Evan Parker Residency The Stone East Village, Manhattan New York, New York October 1-16, 2009 Rivaled only, in recent memory, by Cecil Taylor's 1988 “Kongresshalle" collaborations in Berlin,* Evan Parker's residency at The Stone in East Village, Manhattan was, like those, a string of assorted and inventive pairings. ...
Empty Cage Quartet: Gravity
by Troy Collins
Widely admired for its intricate mathematical construction, the Mayan calendar is far more than just a lightning rod for misguided prophets predicting the end of the world; it is also the source of inspiration for Gravity, the fourth studio recording from the young West Coast-based Empty Cage Quartet. The album consists of two extended compositions, which ...
Jon Irabagon with Mike Pride: I Don't Hear Nothin' But the Blues
by Eyal Hareuveni
Sometimes you don't need more than a sax and a drum set. Tenor saxophonist Jon Irabagon--winner of the 2008 Thelonious Monk Saxophone Competition and a potent and articulate front man of the post-modern be-bop quartet Mostly Others Do The Killing--and versatile drummer Mike Pride--a collaborator of Anthony Braxton and punk outfits such as Millions of Dead ...
November 2009
by AAJ Staff
Muhal Richard Abrams and Fred AndersonCommunity Church of New YorkNew York, NY October 16, 2009Muhal Richard Abrams and Fred Anderson are not quite of the same island. The same Chicago archipelago, sure, but Anderson has more hovered around than been an active member of the Association for the Advancement of ...
Guelph Jazz Festival & Colloquium 2009
by Kurt Gottschalk
Guelph Jazz Festival & ColloquiumGuelph, OntarioSeptember 9-13, 2009The Guelph Jazz Festival and Colloquium devoted itself this year to trying to unpack an idea so common that it is at once crucial and cliché: whether the practice of music-making might have world-changing implications. Through presentations on (for example) gang intervention in South Africa through ...
Harris Eisenstadt: From Mbalax to Canada Day
by Clifford Allen
Over the past decade, drummer, bandleader and composer Harris Eisenstadt has been a force in improvised music, active in both Los Angeles and New York (where he now resides). It's a testament to his creativity and energy that his ensembles have run the gamut from free-bop in the vein of post-Blue Note small groups, to orchestral ...
Vision Festival 2009: Day 5
by John Sharpe
Day 1 | Day 2 | Day 3 |Day 4 | Day 5 | Day 6 | Day 7 Seth Meicht's Big Sound Ensemble / Bear and Eagle / Darius Jones Trio / Matthew Shipp / Rob Brown Trio / Milford Graves Quartet / Lisa Sokolov Trio / Joe Morris GoGo Mambo 14th Annual ...
Vision Festival 2009: Day 4
by John Sharpe
Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 Miriam Parker's Corridor / Charles Gayle Trio / The Ras Ensemble / The Ayler Project / Zim Ngqawana and the Collective Quartet 14th Annual Vision Festival Abrons Arts Center New ...
Paul Bley: Barrage
by Stuart Broomer
At times circumstance conspires to hide a masterpiece: it may be the artist's lack of reputation; perhaps it doesn't resemble his more typical works or it's just overshadowed by more prominent or better promoted music. Paul Bley's Barrage is such a work. Produced in 1964 when most of the band was unknown, it's a singularly non-lyrical ...
