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5

Article: Album Review

Steve Coleman and Five Elements: Functional Arrhythmias

Read "Functional Arrhythmias" reviewed by Mark F. Turner


Ever the thinker, saxophonist Steve Coleman now delves into the connection between human biology and music with Functional Arrhythmias, perhaps his most accessible release in recent memory. With a vast discography that has covered everything from unadulterated funk in 1988's Sine Die (Pegasus) to advanced concepts in 2011's The Mancy of Sound (Pi), his curiosity and ...

Album

Figurations

Label: Sunnyside Records
Released: 2012
Track listing: Dozens; Rain; Wheel; Figurations (Intro); Figurations; Mandala; Loom; Corazon.

7

Article: Interview

Miles Okazaki: Cleaning the Mirror

Read "Miles Okazaki: Cleaning the Mirror" reviewed by Daniel Lehner


In the backyard of his home in Prospect Park, Brooklyn, guitarist Miles Okazaki has spent time constructing a multifaceted backyard/garden filled with overhanging plants, stone walkways and a wooden pavilion surrounding a table and benches. The slats of the pavilion's floor seem to have been crafted merely for aesthetic purposes, but there's another process at work: ...

40

Article: Album Review

Miles Okazaki: Figurations

Read "Figurations" reviewed by Raul d'Gama Rose


Guitarist Miles Okazaki's Figurations is a fascinating document of how musical invention takes place on the spur of the moment. It is not a mad conglomeration of notes that come out in jagged clusters, but a mellifluous harmolodic excursion by four spectacular musicians as they begin to create music on each of their instruments, with their ...

54

Article: Album Review

Miles Okazaki: Figurations

Read "Figurations" reviewed by Mark F. Turner


Figurations is the final release in Miles Okazaki's three volume compositional cycle. Its trajectory is based on forward-thinking ideas Okazaki began on his self-produced 2006 debut Mirror, and continued on the nearly sixty-minute Generations (Sunnyside, 2009), which was recorded in the studio in one take. While no less demanding, this recording was commissioned and performed in ...

29

News: Education

Rhythmic Foundations With Miles Okazaki

Rhythmic Foundations With Miles Okazaki

Guitarist Miles Okazaki, long time collaborator with Chris Potter, Steve Coleman and many others to start a weekly rhythm class at the New York Jazz Workshop. The class will be held In New York every Thursday evening from 7 to 9 pm at 853 Rehearsal Studios, 853 7th Avenue, (between 54th and 55th street). This course ...

95

Article: Album Review

Patrick Cornelius: Maybe Steps

Read "Maybe Steps" reviewed by Dan Bilawsky


Fierce (Whirlwind, 2010) found alto saxophonist Patrick Cornelius in fine, feisty form, as he worked through his own winning compositions in a piano-less trio with occasional guests format, but he's following a more reflective line of musical thought with a stellar quintet on Maybe Steps. This album is a mostly-original set of music with pensive pieces ...

94

Article: Album Review

Patrick Cornelius: Maybe Steps

Read "Maybe Steps" reviewed by Bruce Lindsay


Maybe Steps is alto saxophonist Patrick Cornelius' third album, and his first for the excellent Los Angeles-based Posi-Tone Records. He's joined by the talented rhythm section of pianist Gerald Clayton, bassist Peter Slavov and drummer Kendrick Scott in a graceful and melodically strong performance, mostly of his original tunes. Cornelius' compositions swing gracefully, ...

220

Article: Album Review

Patrick Cornelius: Maybe Steps

Read "Maybe Steps" reviewed by Mark F. Turner


With the talent to convey thought-provoking stories through his music, Patrick Cornelius pens a fresh chapter of personal and emotive composition in Maybe Steps, his third release as a leader. The recording follows the alto saxophonist's well-received debut, Lucid Dream (Self Produced, 2006) and the more groove-oriented Fierce (Whirlwind Recordings Ltd., 2010), both filled with robust ...

286

Article: Interview

Jen Shyu and Theo Bleckmann: Breaking the Song Barrier

Read "Jen Shyu and Theo Bleckmann: Breaking the Song Barrier" reviewed by Daniel Lehner


Before Robert Moog came out with the first synthesizer, before Adolphe Sax invented his famous reed instrument, before the trumpets sounded at Jericho, even before the world's ancient tribes tightened their animal skins to make drums, humanity's first instrument was the voice. Not that this is of particular consequence to Theo Bleckmann. “To me, that argument ...


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