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Michael Dease: Grace
by C. Michael Bailey
Michael Dease is to the trombone what Harry Allen is to the tenor saxophone. Lyrical, traditional, well-studied and broad based, both artists can equally get their freak on when necessary. Dease's trombone style contains many influences, but like many conservatory-trained musicians, Dease has had the time and practice to develop is own potent voice.
George Wein To Get Star on SPAC Walk of Fame
Saratoga Springs, NY—Jazz impresario George Wein, often referred to as the “father" of modern music festivals, will be honored by Saratoga Performing Arts Center on Saturday, June 25 for his role in founding SPAC's Freihofer's Saratoga Jazz Festival, one of the longest-running and most celebrated jazz events in the world. Wein will be honored at the ...
You Say You Want a Revolution (We All Want to Change the World): Bitches Brew Live, or How Miles Davis Saved 21st Century Jazz
Bitches Brew was recognized as the proverbial “shot heard 'round the world" within weeks of being released by Columbia Records in April, 1970. In his musical choices—particularly the electric instrumentation, radically new editing approaches, and recent personnel changes—Miles had set off a fiery explosion that continues to reverberate throughout jazz to this day. A good number ...
Konitz/Mehldau/Haden/Motian: Live at Birdland
by John Kelman
Grist for what seems like an endless flow of recordings, The Great American Songbook has, ultimately, become as much a crutch as it is an inspiration. There's no denying the staying power of music that's near-Jungian in its collective familiarity, but if an artist is simply running down the tunes, à la Real Book--head, solo, head--the ...
Fred Frith: Clearing Customs
by Nic Jones
Over the decades of his solo career, Fred Frith's music has grown more reflective of the range of his musical interests. As well as being an improviser of significance he has also shown an interest in a diversity of folk musics, with initial signs showing up already, in his work of the late 1970s.
Tri-C JazzFest Cleveland 2011: Days 1-3
by Matt Marshall
Days 1-3 | Days 4-6 | Days 8-10 32th Annual Tri-C JazzFest ClevelandCleveland, OhioApril 28-May 8, 2011 Like most jazz festivals, the Tri-C JazzFest Cleveland, now in its 32nd year, features a fair share of tributes to jazz legends. Slated this time around were tributes to usual suspects Miles ...
Thomas Marriott: Constraints & Liberations
by Greg Simmons
Listening to Thomas Marriott's Constraints & Liberations, two things are abundantly clear: Marriott spent some serious time studying Miles Davis' second great quintet; and, his own voice on trumpet is developed well enough to make it sound like a strong, easily recognizable influence, but not plagiarism. Naturally, favorable comparison to the one of the greatest standing ...
George Benson: Beyond The Blue Horizon
by Dan Bilawsky
George Benson has worn many hats throughout his career, from jazz-pop vocal star to soulful six-stringer, but his guitar god persona is probably exhibited best by Beyond The Blue Horizon (CTI, 1971). This album arrived five full years before Benson's popularity would explode with Breezin' (Warner Bros., 1976), and it presents this powerful instrumental presence in ...
Local Jazz History at the Boston Public Library for Jazz Week from JazzBoston
A sense of place and history always attends Jazz Week. Booker Ervin was a mail man not far from where I live in the 60s. Johnny Hodges was born over in Cambridgeport. This year focuses on a region and two pianists. Both Events will be at the Main Branch Library in Copley Square. “North Shore Jazz, ...
Mark Rapp's Melting Pot: Good Eats
by Dan Bilawsky
Legendary saxophonist Lou Donaldson doesn't subscribe to a one-size-fits-all approach in his own music making. His oeuvre, which spans more than half a century, touches on bop, hard bop, soul-jazz, and funk, with each setting allowing for a different aspect of his musical personality to shine. In crafting a tribute to Donaldson, trumpeter Mark Rapp honors ...
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