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UNT Two O'Clock Lab Band: Two Music: It Don't Mean a Thing, If It...
by Jack Bowers
As has been pointed out a number of times before, there's no audible difference between the University of North Texas' One O'Clock and Two O'Clock Lab Bands, which are customarily named for rehearsal times but based on performance alone could well be designated One O'Clock and One-Fifteen. This is not meant to devalue the One O'Clock ...
Veslefrekk: Veslefrekk
by John Kelman
VeslefrekkVeslefrekkNORCD1994 Before there was Supersilent--the renowned Norwegian noise improv group that was a seminal part of the flurry of creative Norwegian activity that, between 1997 and 1998, literally shook the world of improvised music and brought a number of artists, including Nils Petter Molvaer, Bugge Wesseltoft and Eivind Aarset, to far ...
Fats Navarro and Tadd Dameron – The Complete Blue Note and Capitol Recordings
by Marc Davis
There aren't many jazz records I'd consider essential. This is one. Granted, Fats Navarro isn't in the pantheon of jazz trumpeters. For starters, he didn't live long enough. He died in 1950 at age 26, so his discography is short. For another, Navarro's brief career overlapped that of trumpet legend Dizzy Gillespie, and came ...
New Red Garland, After All These Years
Red Garland, Swingin’ on the Korner: Live At Keystone Korner (Elemental) A new Red Garland album: a nice surprise from a time just after the pianist released himself from self-imposed isolation. Garland made his name as a member of the seminal 1950s Miles Davis Quintet that also included tenor saxophonist John Coltrane, bassist Paul Chambers and ...
Artt Frank: Talking Chet Baker
by Nicholas F. Mondello
In Chet Baker: The Missing Years--A Memoir (BooksEndependent,LLC), drummer/composer Artt Frank delivers an in-the-room intimate, yet no-holds-barred tale of his professional and personal relationship with the mythologized jazz trumpeter. Drawn from deep admiration for and loyal friendship with Baker, as well as his 14 years performing with him, Frank has painted a distinctive, poignant and dramatically ...
Robert Herridge: Jazz on TV
Up until 1955, modern jazz was largely a punchline. The music wasn't easy to understand by those who grew up listening to big bands and other forms of pop and dance music, and many post-war jazz musicians seemed silly in their cool extreme—people with names like Dizzy, Monk, Chubby, Hawk, Shorty and Bird who recorded for ...
I 10 Cd nel CD Player di... Phil Markowitz
by Vincenzo Roggero
01. Count Basie/Duke Ellington -The Count Meets the Duke (Columbia -1961). Incontro ai massimi livelli. Sicuramente la sfida ha tirato fuori il meglio da tutti i grandi solisti, che suonano con grande personalità e swing, con Basie e Duke insieme a sciorinare ritornelli blues. Tutto quello che c'è da sapere su come si suona il ...
Miles Davis: Olympia – Mar 20, 1960
by C. Michael Bailey
A Totally Subjective History of Jazz, 1945--1968 I am going to over-simplify the history of small-ensemble jazz between the heyday of bebop and the vestibule of fusion using a single catalyst--Miles Davis. Davis was instrumental in or the genesis of five major movements (not including fusion) in jazz where the hinges of these ...
Rudresh Mahanthappa: Bird Calls
by Victor L. Schermer
In this innovative album, Rudresh Mahanthappa is to “Yardbird" Charlie Parker what Albert Einstein was to Isaac Newton. He revises Parker's legacy to his own advanced understanding, yet preserves the essential truth of Parker's contribution to jazz. One genius says “hello" to another and then goes his own way. The result is an exciting “leaning in" ...
Pat Martino: Joyous Lake
by John Kelman
Pat MartinoJoyous LakeWarner Bros.1977 Seemingly a hardcore mainstreamer at heart--though one with no shortage of experimental élan, proven over a series of ten albums from 1967's El Hombre (Prestige) to 1976's wonderful duo with pianist Gil Goldstein, We'll Be Together Again (Muse, 1976)--guitarist Pat Martino came relatively late to the jazz-rock ...
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