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Interview: Damjan Krajacic
Q: When did you start playing the flute? Did your family already know you had an interest in music? A: I was a bit late coming to the flute, at 19. My main instrument was electric bass, and I dabbled into classical guitar and piano a bit prior to that. Once I entered college, I was ...
Drawing Jazz
by Keith Henry Brown
A twist on the old cliché, Those who can't play--draw,"--that's my personal point of view. I've been a jazz nut since as long as I can remember, and as soon as I could push a pencil--even though I could barely bang out a simple tune on a piano--I was sketching some of my favorite players, Charles ...
Paul Chambers: Whims of Chambers – Blue Note 1534
by Marc Davis
At Blue Note Records in the 1950s, bassist Paul Chambers and drummer Philly Joe Jones were about as common as grits at a Southern diner. And about as noticeable, too--not flashy, just solid and reputable. Blue Note never had a house band," but if it had, Chambers and Jones would have been the hard ...
We Three Kings: The Heath Brothers
by AAJ Staff
This article was originally published at All About Jazz in 2002. Bundle these three brothers' experiences and associations through their individual and collective careers, and anyone with even the slightest notion of jazz appreciation will indubitably realize the significance of the Heath triumvirate--bassist Percy, saxophonist Jimmy, and drummer Albert Tootie." What an ...
Miles on Monday: Conceiving Birth of the Cool
It was 65 years ago today, on March 9, 1950, that Miles Davis completed the sessions for what would eventually become the album Birth of the Cool. That day, Davis went into WMGM Studios in New York City with a band including J. J. Johnson (trombone), Gunther Schuller (French horn), John Barber (tuba), Lee Konitz (alto ...
Jazz on Film: Caveat Emptor
by S.G Provizer
There are good documentaries about jazz. A person can see the films listed on this site and walk away without reaching for the gas pipe. But, as the furor around the film Whiplash (well, to jazz people it was furor) reminds us, it's wise to keep the bar low. When Hollywood does jazz, it should stick to ...
One Of Hawaii's Finest Jazz Artists: Jr Volcano Choy
Q: I'm sure you receive this question numerous times. Your name - where did you get it? A: Almost 30 years ago, I was on a road tour for Columbia Records. After one of our performances, a music critic who was present mentioned that the “trumpet soloist” blew like an “erupting volcano” and so the other ...
Gary Thomas: Till We Have Faces
by John Kelman
Gary ThomasTill We Have FacesJMT1992 It was sometime in 1992 when I came across today's Rediscovery. I was walking by a record store (remember those?) in my hometown of Ottawa, Canada when I suddenly heard this staggering guitarist playing over what sounded like a standard I thought I knew but couldn't ...
Christoph Irniger e il Questionario di Proust
by AAJ Staff
All About Jazz: Il tratto principale della mia musica. Christoph Irniger: Cerco sempre di suonare un brano e di rimanerci legato. Anche quando diventa molto complesso, o quando suono free. AAJ: La qualità che desidero nei musicisti che suonano con me. C.I.: Mi piacciono quei musicisti che sono anche ...
Bulletin Board Members' Picks
by AAJ Staff
Since we started the Building a Jazz Library (BAJL) series, we've assembled more than sixty collections, and that number continues to grow. We thought it might be interesting to see what readers would recommend, so we asked AAJ Bulletin Board members to provide a short list of recordings they considered essential, and the 159 different lists ...


