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Blue Note 50th Anniversaries: December 1968 & More
by Marc Cohn
Alrighty then. It's the first week of a new month. Our regulars know it's time for Blue Note 50th anniversary salutes. We've got three for you from Duke Pearson and the big band, Detroit pianist Kenny Cox, and Jack Wilson. Continuing a series we started at few months ago, we have BN-4, two sides of a ...
Dan McClenaghan's Best Releases Of 2018
by Dan McClenaghan
The music keeps moving forward, evolving to higher levels. My search for the best jazz recordings of 2018 led me to these marvelous CDs. Satoko Fujii Satoko Fujii Solo Libra Records A person's sixtieth birthday serves as a milestone, more so in Japan--where it is referred to as “Kanreki"--than elsewhere. ...
Seven Women (Plus Three) 2018 – Part XI
by C. Michael Bailey
Kris Adams We Should Have Danced Self Produced 2018 There is a special significance to Kris Adams's release We Should Have Danced. The recording features Adam's original lyrics with arrangements by pianist Tim Ray, of compositions of the late Steve Prosser, Adams' former husband and Berklee College of Music professor. ...
New Sounds - Walter Smith III, John Escreet and Maisha
by Bob Osborne
Demonstrating the wide variety of music in the jazz world recent releases from Walter Smith, John Escreet and Maisha are featured on this show. With other material, old and new, in between, there is mixed bag of styles, and, sounds on display. Playlist Walter Smith III “Ask Me Now" from Twio (Whirlwind) 00:00 ...
Charles Pillow Large Ensemble: Electric Miles
by Jerome Wilson
The electric music Miles Davis recorded from 1969 and into the 1970s was a game-changing event in jazz, a steamy, mysterious, ever-evolving soup of improvisation, rock, funk and electronics that launched numerous careers and inspired subsequent generations of musicians across genres. Its influence shows in the numbers of players who have since studied, dissected and interpreted ...
John Escreet: Learn To Live
by Mike Jurkovic
From the light, airy smoothness of “Opening," through the nomadic, polyrhythmic, suite “Broken Justice (Kalief)" (which brings to contemporary life Weather Report's axiom: “Everyone solos but no-one solos") to the poppy, practically Stevie Wonder-ish “Lady T's Vibe," keyboardist/composer John Escreet's fusion proves to be a many-headed, sinewy hybrid. All are brought to the forefront on Learn ...
Erik Palmberg: Swiss Time Was Running Out
by Jim Worsley
2018 has been a year of many outstanding and surprising new records. One worth special notice is First Lines by Swedish trumpeter Erik Palmberg and his quartet. Featuring mostly original compositions, the music is fresh and crisp yet steeped in jazz tradition. The 37-year-old instrumentalist spoke about his new album and musical background with All About ...
Charlie Parker: Now's The Time
by Karl Ackermann
In the pantheon of jazz saxophonists, Charlie Parker has been among the most transformational of artists, despite not living nearly long enough to fulfill his potential. Parker's lifetime, as a principal architect of bebop, and a self-destructive force, has been documented ad nauseam but his music continues to significantly influence new generations. Since Parker's death in ...
Dave Liebman, Stéphane Spira and More
by Joe Dimino
The mighty NEA Jazz Master Saxophonist Dave Liebman kicks off this week's episode of Neon Jazz, as we play tracks from legends he played with over the years, like Elvin Jones and the mighty Miles Davis. We also take a look at the new music from the great Jared Sims and hear words of wisdom from ...
The Complete Jan Akkerman: Focusing on a Life's Work
by John Kelman
He may be largely regarded as the most influential guitarist to emerge from the Netherlands, a country that, bordering on the North Sea, is roughly one-quarter the physical size of England and, with a current number of about seventeen million, has just one-third the population of the UK's largest country. Still, despite garnering major in-country recognition, ...
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