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Siena Jazz 2021
by Serena Antinucci
Durante una chiacchierata con il contrabbassista Paolino Dalla Porta e il batterista Fabrizio Sferra, alla fine della mia permanenza alla cinquantunesima edizione dei Seminari Estivi Internazionali di Siena Jazz, ho capito cosa significhi davvero vivere il jazz. Le lezioni si sono appena concluse e ci ritroviamo nell'atrio della Fortezza Medicea (sede della scuola), prima ...
Miguel Zenon: El Arte del Bolero
by David Bixler
2021 has been a busy year for alto saxophonist Miguel Zenon. He released two recordings, El Arte del Bolero with pianist Luis Perdomo, and Law Years, a recording of the music of Ornette Coleman featuring an international quartet. In this episode of LINER NOTES Miguel speaks of the redirection of his artistic pursuits during quarantine.
Miguel Zenón: Sounds of Home and Heroes
by Russell Perry
In the last hour, we heard from Rudresh Mahanthappa who, together with Miguel Zenón, has dominated the critics polls for alto players over the past decade Like Mahanthappa, Zenon brings his heritage into the mix featuring the music of Puerto Rico as not just an influence, but an inspiration. Also like Mahanthappa, he pays tribute to ...
Vicenza Jazz 2021
by Libero Farnè
Vicenza Varie sedi 1—10.07.2021 Spostato da maggio alla prima decade di luglio, Vicenza Jazz 2021 ha imbastito un programma variegato, che ha accolto una vasta gamma di proposte della scena internazionale, concentrando nella sua parte centrale tre maestri del pianoforte americano: Gonzalo Rubalcaba, Brad Mehldau e Fred Hersch. Inoltre ha invaso la ...
Rudresh Mahanthappa: Sounds of Home and Heroes
by Russell Perry
In the 13 years since 2008, the alto saxophone award in the annual Jazz Journalists Association awards program has gone to either Rudresh Mahanthappa or Miguel Zenón ten times. Despite having very different sounds and approaches to the saxophone, their creative paths have much in common. Both began recording around the turn of the century. Both ...
Top Ten Kennedy Center Musical Moments
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb: “I hate jazz." If you choose to engage them, the key is to tread lightly and tailor an approach that considers their tastes and sensibilities. This So You Don't Like Jazz column explores ways ...
Support the LINER NOTES indiegogo fundraising campaign
As LINER NOTES enters its fourth season in July, I am making an appeal for funding in order to keep it going. I ask you to click here to watch a short video explaining the situation and the motivation for this appeal. I am passionate about LINER NOTES, a podcast that I started in 2018. ...
Ches Smith’s We All Break: Path of Seven Colors
by Vic Albani
Il fatto che da qualche anno la produzione discografica non sia più nelle strette mani delle multinazionali sta man mano aprendo infinite possibilità per gli artisti più creativi e, quantomeno in questo caso, ai nomi collegabili all'avanguardia. Oramai la situazione è chiarissima per i fruitori della stessa (in breve, a noi ascoltatori). Si brindi ...
Piotr Damasiewicz, Three-Layer Cake & Fujii/Tamura
by Maurice Hogue
Highlights: Polish trumpeter Piotr Damasiewicz's “Polska"—very powerful music with the roaring Power Of Horns ensemble pushing Damasiewicz all the way; pianist Satoko Fujii and trumpeter Natsuki Tamura offering more proof that they are the most formidable duo in free jazz; Three-Layer Cake—the trio of bassist Mike Watt, guitarist Brandon Seabrook and drummer Mike Pride with a ...
Ches Smith / We All Break: Path of Seven Colors
by Karl Ackermann
For some time, drummer/composer Ches Smith kept his interest in the Voudou music of Haiti at bay. Recognizing himself as an outsider in that world, he researched, listened, studied, and after years brought a project to fruition. Smith's group We All Break released their self-titled, self-produced debut in 2017 and received less attention than deserved. Now ...
