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Rich Halley: Back From Beyond
by Hrayr Attarian
Over a half a century after saxophonist Ornette Coleman launched the free jazz movement the genre is going strong thanks to such individualistic practitioners as tenor saxophonist Rich Halley. Halley's sound has matured and crystallized over the course of dozen or so albums, all critically acclaimed. On his fourteenth release as a leader, ...
Yes. But Is It Jazz?
by Mark Corroto
Jazz comes at you from so many directions these days, that to rely on just one definition, is not enough. Sure, it can be a blues-based rhythmic music but it is also minimalist free improvisation. Pigeonholing something, such as jazz, always separates and eventually segregates supporters, creating conflicts and in the end lessening the whole.
Rich Halley: Back From Beyond
by Bruce Lindsay
The arrival of a new album by saxophonist and field biologist Rich Halley reliably signals a few good things: inventive composition and improvisation; tight, powerful, playing; driving grooves; a sense of humor...and squeak toys. Back From Beyond, credited to the Rich Halley 4, keeps up the pattern.Based in Portland, Oregon, Halley's extensive discography dates ...
Rich Halley 4: Back From Beyond
by Dan McClenaghan
Tenor saxophonist Rich Halley can be relied upon to rip it up, either live or in the studio. His forte is free jazz that always seems to threaten to power into some steroidal bebop. He has released a string of fine records on the now-dormant Louie Records--including, perhaps the best of these, the no-holds-barred The Blue ...
Rich Halley Quartet: Requiem for a Pit Viper
by Dan McClenaghan
It must be difficult for saxophonist Rich Halley to find a collaborative horn man who can keep up with him, who can match his free jazz ferocity and full-throttle momentum. Difficult, but not impossible. In the midst of three fine trio efforts for Louie Records, he offered up one quartet outing in which the saxophonist teamed ...
Jeff Kaiser / Kronomorphic / Keneally-Minnemann-Beller: San Diego, March 11, 2011
by Robert Bush
Jeff Kaiser / Kronomorphic / Keneally/Minnemann/BellerPorter's Pub, UCSDSan Diego, CAMarch 11, 2011 The Friday, March 11 show at Porter's Pub, organized by UCSD promoter Brian Ross, was a wild, kaleidoscopic affair. Featuring two Southern California-based creative improvising exponents with a rock-fusion headliner represented a certain degree of risk: would the ...
Book III - The '58 Retractable Hardtop
Label:
Released: 2009
Track listing:
1. Not Knowing; 2. The 58 Retractable Hardtop; 3. I Have These Tears; 4. Frances
Cheeks; 5. Wars for the Numb (01-21-91); 6. Wedding Song; 7. The Father; 8. Of
Dancers; 9. For Alec From Pappy; 10. The New Day; 11. The Kissing Song.
I testi sono di Chuck Britt, le musiche di Michael Vlatkovich, escluse 9, di David Crigger,
e 11, di Warren Hartman
Three3
Label:
Released: 2009
Track listing:
01. The Fat Dance; 02. Somehow We Can't Catch a Glimpse of Our Future in a Passing Train Window Train Window; 03. Length of the Tail Doesn't Really Matter, But It Does Have to Be Bushy;
04. Neighborhood Beasts Let Their Hair Down; 05. Model Planetarian; 06. The Man Who Walks; 07. Where is Wanda Skutnick?
Michael Vlatkovich: Three3
by AAJ Italy Staff
L'ottimo trombonista americano Michael Vlatkovich (nato a St. Louis, nel Missouri, ma residente in California dal 1973) continua la sua corsa con progetti legati alla formazione in trio (che lui chiama tritet) registrata dal vivo, alternando immancabilmente la sezione ritmica. In questo caso ci troviamo a Denver, non troppo lontano dalla calda California che è il ...
Transvalue: Book III - The '58 Retractable Hardtop
by AAJ Italy Staff
Difficilmente etichettabile questo Book III dei Transvalue, gruppo che il trombonista Michael Vlaktovich e il poeta e vocalist Chick Britt tengono assieme, con cadenze irregolari, da quasi trent'anni. L'aria che si respira è marcatamente zappiana, anche se le atmosfere musicali sono spesso prossime alle moderne big band. All'interno vi respirano jazz e poesia, pop e reading, ...
