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Rich Halley 4: Creating Structure
by Dan McClenaghan
Saxophonist Rich Halley, home-based in Portland, Oregon, has put out seventeen CDs. A good handful of those, pre-2006, were released on the now-dormant Louie Records. These were mostly chordless trio and quartet affairs that showcased Halley's talent for creating category four maelstroms that gelled and bopped their way into surprisingly catchy, damned near mainstream grooves.
Here & Here & Here: Here & Here & Here
by Alberto Bazzurro
Ci sono diversi elementi propri della musica di Michael Vlatkovich (la pienezza, per esempio, peraltro qui quanto mai stemperata, riflessiva, a tratti quasi assorta) così come abbiamo imparato a conoscerli nei numerosi album da lui pubblicati in tempi recenti, ma c'è molto anche dei suoi partner, in questo lavoro inciso a Los Angeles a inizio 2014. ...
Vlatko: Subjective Experience in a Commercial Free Zone
by Alberto Bazzurro
Vlatko è il quartetto elettrico del vulcanico, iperattivo trombonista losangelino Michael Vlatkovich, qui ripreso in studio fra il marzo e l'aprile 2014. Vi alberga una rotonda visceralità, del resto tipica di Vlatkovich in un po' tutte le sue manifestazioni creative, per una musica piena e corporale, talora persino un po' sovrabbondante, più spesso egregiamente risolta entro ...
Vlatko: Subjective Experience In A Commercial Free Zone
by Glenn Astarita
West Coast purveyor of novel jazz concepts, trombonist and shrewd improviser, Michael Vlatkovich skirts the perimeters of expressionistic jazz rock and most all things jazz related, featuring electric guitarist Tom McNalley's impressive, quirky off-kilter voicings and stinging expeditions. It's a production that's framed on the outside schema, as the leader's compositions present a brooding and flourishing ...
Dan McClenaghan's Best Releases of 2014
by Dan McClenaghan
It's that time to wrap it up and make some choices on the top jazz releases of the year. Here are my picks for the best of 2014, in no particular order, with the exception of the first listing, pianist Paul Bley's disc, which stands out. I do love piano jazz. Paul BleyPlay ...
Rich Halley 4: The Wisdom of Rocks
by John Sharpe
Portland-based saxophonist Rich Halley mines a rich seam, despite plying his wares away from the limelight. Halley has been fortunate to overcome the plight of anyone working outside the main centers of jazz activity by finding a coterie of like-minded talents to sympathetically explore his inside/outside conundrums. As a result his discography contains a stream of ...
Trombone x 4 (x 4)
by Alberto Bazzurro
Che ci sia un trombone a guidare la cosiddetta front line di un gruppo jazz, ammettiamolo, non è merce poi così usuale. Ci fa quindi piacere, amando particolarmente il suono rotondo, pieno, evocativo dello strumento, legare uno con l'altro quattro album che praticano tale formula, incisi e pubblicati nel giro di pochi mesi, tra la fine ...
Rich Halley 4: The Wisdom of Rocks
by Hrayr Attarian
Over the span of a uniformly superb career, saxophonist Rich Halley and his working quartet have blended sophisticated style and unbridled vigor into impeccable performances that brim with creative energy. Their fourth release The Wisdom Of Rocks is no exception. What is unique about this provocative and exhilarating record is its unadorned beauty and mordant sound. ...
Rich Halley 4: The Wisdom of Rocks
by Bruce Lindsay
Tenor saxophonist and composer Rich Halley believes in the wisdom of rocks, or so one must assume from the title of his 16th album as leader, The Wisdom Of Rocks. It's probably smart to acknowledge Halley's expertise in such matters: as a qualified field biologist who lives in Oregon he's no doubt encountered more than a ...
Rich Halley 4: The Wisdom of Rocks
by Dan McClenaghan
Portland, Oregon, based saxophonist Rich Halley calls his 2014 quartet outing The Wisdom of Rocks, and on the disc' opener, “The Atoll," he blusters out of a two horn intro--with trombonist Michael Vlatkovich--into a tenor sax solo that sounds as if its roaring from some dark cavern, up out of the bedrock from its origins in ...
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