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Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3
by John Kelman
By the time Bitches Brew (Columbia) was released in April, 1970—and despite receiving a 5-star review in Downbeat Magazine—trumpeter Miles Davis was already under fire from mainstream jazz critics as having “sold out," despite the densely constructed, improvisationally unfettered music being as unapproachable to an audience looking for accessible music as anything he'd done with his ...
Franklin Kiermyer: Further
by John Kelman
The number of jazz musicians whose lives and music have been impacted by John Coltrane is truly legion; few, however, have extrapolated the exploratory space travelled by the late, great saxophonist in his final two years as intensely--and successfully--as Canadian expat, one-time New York resident and now Oslo-dwelling drummer Franklin Kiermyer. While his international profile has, ...
Mosaic Records: Making Jazz History
by Bob Kenselaar
No one is more astonished by the longevity of Mosaic Records than Michael Cuscuna, the veteran record producer and one-time disc jockey who founded the label together with Charlie Lourie, a former clarinetist who worked in both jazz and classical contexts before becoming an executive at CBS records, Blue Note, and elsewhere. Arguably the premier reissue ...
Billy Vera: Still In The Game
by Scott Mitchell
It might be safe to say that a lot of people may know a little bit about Billy Vera but only a few people know a lot about Billy Vera. Billy is a singer, writer, producer, actor, Grammy winner, and music historian. He has performed with big bands, Billy And The Beaters, solo, and everything in ...
Wes Montgomery: Echoes of Indiana Avenue
by C. Michael Bailey
In welcome fits of serendipity, the manuscripts of previously unknown European classical compositions are found in attics, old churches or forgotten libraries and brought to light with no little fanfare. In the United States, there is an equivalent situation with hitherto previously unissued jazz recordings being revealed in the most unlikely places. In a recent example, ...
Maxine Gordon: The Legacy of Dexter Gordon
by Victor L. Schermer
Legendary tenor saxophonist Dexter Gordon was a focal point of the bebop and hard bop revolutions. Later in his career, he achieved the status of an American icon with his lead role in Bernard Tavernier's 1986 film, Round Midnight, which garnered him an Academy Award nomination. His “homecoming" in New York City, after living in Europe ...
Wes Montgomery: Echoes of Indiana Avenue
by Dan Bilawsky
In the mid-twentieth century, Indianapolis was an incubator for jazz talent. Trombonist J.J. Johnson, trumpeter Freddie Hubbard and guitarist Wes Montgomery all began their individual ascents to stardom from the heart of Hoosier country. While the first two artists had long careers, Montgomery wasn't so lucky. This self-taught genius, who burst onto the national scene in ...
Ahmad Jamal Trio: The Legendary 1958 Pershing Lounge & Spotlite Club Recordings
by Chris May
Ahmad Jamal TrioThe Legendary 1958 Pershing Lounge & Spotlite Club PerformancesSolar Records2011 “Play like Jamal," trumpeter Miles Davis is reputed to have told his pianist Red Garland in the mid 1950s. We can but speculate how Garland reacted to this request, assuming the story is true. It ...
Jazz Takes To The High Seas
by Dan Bilawsky
Explorers, of the musical and non-musical variety, always seem to be fascinated by the bountiful bodies of water that cover the earth. Long before jazz ever existed, treasure hunters, adventurers, and those in search of the unknown would risk their lives and spend incredible amounts of time and energy traversing the globe, on a quest to ...
The Complete Ahmad Jamal Trio Argo Sessions 1956-62
by Eugene Holley, Jr.
"When I listen to these records now... when I listen to the Pershing, it's phenomenal, I must say. What they were doing, phenomenal, the lines and the purity. It's so pure ... It was sheer joy working with these two individuals. Master musicians," writes pianist/bandleader Ahmad Jamal in the liner notes to this collection.
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