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6

Article: Big Band Report

Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4

Read "Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4" reviewed by Simon Pilbrow


Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 The Los Angeles Jazz Institute (LAJI), under Ken Poston, has continued for some thirty years to ...

8

Article: Interview

Michael Leonhart: Surfing on an Orchestral Wave

Read "Michael Leonhart: Surfing on an Orchestral Wave" reviewed by Ludovico Granvassu


If one were to find an answer to the age-old “nature or nurture" debate, s/he would have to look no further than The Painted Lady Suite [Sunnyside Records]. Listening to the stunning debut album by the Michael Leonhart Orchestra makes it clear that major achievements are only possible when nature and nurture are well integrated and ...

21

Article: Profile

Kuumbwa And The Magic of Monday Night

Read "Kuumbwa And The Magic of Monday Night" reviewed by Arthur R George


Monday nights, otherwise a down time for many music venues, have been magic for the Kuumbwa Jazz Center in Santa Cruz, CA. Kuumbwa's most prominent shows occur, oddly, on off-calendar Monday nights or midweek, featuring headliners before or after their engagements nearby in San Francisco and Oakland and who are touring up or down the West ...

55

Article: Under the Radar

State and Mainstream: The Jazz Ambassadors and the U.S. State Department

Read "State and Mainstream: The Jazz Ambassadors and the U.S. State Department" reviewed by Karl Ackermann


The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...

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Article: Album Review

Rufus Reid: Terrestrial Dance

Read "Terrestrial Dance" reviewed by Karl Ackermann


Rufus Reid is one of a handful of true renaissance figures in the arts. The bassist and composer has been an active presence in the jazz world since the 1970s and has recorded more than a dozen albums as a leader and in groups with Dexter Gordon, Andrew Hill, The Thad Jones / Mel Lewis Quartet, ...

13

Article: Year in Review

C. Michael Bailey’s Best Recordings of 2017

Read "C. Michael Bailey’s Best Recordings of 2017" reviewed by C. Michael Bailey


This year marks my 20th contributing to AAJ. Twenty years ago, I was 38 years old looking for an outlet for my music writing that had somehow avoided me until I came across an opportunity disguised as a call for articles from one Michael Ricci in Philadelphia. I emailed my review of Art Pepper's San Francisco ...

News: Video / DVD

Jones & Lewis In Concert

Jones & Lewis In Concert

It occurred to me around mid-afternoon that it would have been a good idea to use the band’s music as a supplement to the Thad Jones-Mel Lewis-Vanguard Orchestra Monday Recommendation. But, from the treasury of Thad & Mel performances on record and video, what to choose? The staff agreed unanimously; the band’s 1969 performance of Thad’s ...

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Article: Under the Radar

Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York" reviewed by Karl Ackermann


Jazz didn't abandon Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York they ...

1

Article: Live Review

Monday Night Big Band with Kristin Korb at Malmo Live

Read "Monday Night Big Band with Kristin Korb at Malmo Live" reviewed by Patrick Burnette


Monday Night Big Band Featuring Kristin Korb Malmo Live Malmo, Sweden October 30, 2017 The Vanguard Jazz Orchestra recently celebrated its fiftieth anniversary. While its longevity is impressive, so is the wide-ranging the influence of the organization, which was started by Thad Jones and Mel Lewis in the mid-sixties. In ...

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Article: Under the Radar

Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago" reviewed by Karl Ackermann


Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...


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