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John Medeski: John Medeski's Mad Skillet
by Doug Collette
Steeped in, but hardly a slave to, the milieu of the Crescent City, John Medeski (of Medeski, Martin & Wood fame) recorded in The Big Easy with sousaphonist Kirk Joseph and drummer Terence Higgins (both natives of New Orleans and members of the Dirty Dozen Brass Band), along with guitarist Will Bernard, one of the unsung ...
Medeski, Martin & Wood: Omnisphere
by Maurizio Comandini
Il fantasmagorico trio Medeski, Martin & Wood ha iniziato la propria attività nel 1991, andandosi a prendere inizialmente la corona di migliore jam band per poi proseguire lungo percorsi originali di assoluto valore, dove jazz e avanguardia si intersecano senza problemi. Per non farsi mancare nulla i tre musicisti americani non dimenticano mai di aggiungere qualche ...
About Jon Ostrom
Instrument: Guitar, electric
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Jon Ostrom
Born:
Portland’s Jon Ostrom is a talented and accomplished guitarist and songwriter playing jazz, funk, rock and bluegrass in various groups throughout his career. The imagery created by his guitar playing combined with his songwriting showcase his ability to create landscapes for deep grooves and improvisation. Jon started his music career in Walleye, a power trio focused on songwriting without any barriers or limits. Walleye was fortunate to open for such bands as Vince Herman, Rubberneck, Jive Talkin Robots, Five Fingers of Funk and many more. Jon then created the Louden Mellow Project to continue with songwriting and focus on jazz and funk
Follow the Leader!
by Ludovico Granvassu
This episode features tracks from two influential band leaders--John Lurie and Miles Davis--and the talented musicians who played in their respective bands. Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 The Lounge Lizards “The Yak" from Queen of All Ears on (Strange & Beautiful Music) 0:16 Host talk 5:55 ...
Joy
by Ludovico Granvassu
Joy, something that we all need more of, especially on days with such lousy weather like these... We are all familiar with the fact that music can greatly contribute to such state, and neuroscience has proved that when pleasurable music is heard, dopamine is released. Let's then focus on music that has a very ...
Michael Vlatkovich: Mortality & Myrnofant's Kiss
by Angelo Leonardi
Michael Vlatkovich è un trombonista e compositore di St. Louis attivo dal 1973 a Los Angeles, parte di quella nicchia sperimentale presente dagli anni cinquanta nella West Coast. È membro regolare del Vinny Golia Large Ensemble e del Rob Blakeslee Quartet ma collabora anche con artisti di varie tendenze espressive: Bobby Bradford e Gerry Hemingway ma ...
Tedeschi Trucks Band with Hot Tuna and The Wood Brothers at Red Rocks
by Geoff Anderson
Tedeschi Trucks Band with Hot Tuna and The Wood Brothers Red Rocks Amphitheater Denver, CO July 29-30, 2017 The Tedeschi Trucks juggernaut continues to snowball. The band's inaugural Denver concert in November 2011 was at the Fillmore Auditorium; capacity 3,000. The venue quickly shifted to an annual summer show at Red ...
TD Ottawa Jazz Festival 2017
by John Kelman
TD Ottawa Jazz Festival Ottawa, Canada June 23-26, 2017 Amongst the most significant challenges that face any festival is, as the gray and no-hair crowd continues to age, finding ways to cultivate and grow a younger audience. But when you're a Canadian festival, another major challenge is a simple fiscal fact: most ...
Greg Skaff: Soulmation
by Dan Bilawsky
Guitarist Greg Skaff is all about the grease, grit, and grooves on Soulmation. It's a logical extension of his previous work--guitar-fronted organ group dates like East Harlem Skyline (Zoho Music, 2009) and 116th & Park (Zoho Music, 2012)--but it's a tad heavier, raunchier, and funkier than anything Skaff threw us on those records. His approach here ...
Foundation of Funk at Cervantes Masterpiece Ballroom
by Geoff Anderson
Foundation of Funk Cervantes Masterpiece Ballroom Denver February 11, 2017 Foundation: the base upon which something is built. From houses to skyscrapers, foundations are essential. They must be solid, strong and most of all, immovable. A funk foundation? That, too, must be solid and strong. But immovable? No, quite the ...
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