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Woody Shaw: At Onkel Po's Carnegie Hall: Vol. 1: Hamburg 1979
by Chris May
Woody Shaw was born a decade or so after quintessential hard-bop trumpeters Lee Morgan, Donald Byrd and Freddie Hubbard, Shaw's professed role model. He came to the party late but he came bearing gifts—a strong technique, an ability to play inside and outside with equal conviction, and a lot of soul. These qualities were to the ...
Bob Sheppard: The Clark Kent of Jazz
by Jim Worsley
An unassuming bespectacled man in his mid-sixties walks on to the stage. In a band with stellar, famous, and maybe flashier musicians, one could be forgiven if they didn't even notice him right away. But as soon as Bob Sheppard presses a saxophone, clarinet, or flute onto his lips, he is super, man! An incredible musician ...
3x3: Piano Trios: October 2019
by Geno Thackara
Esbjörn Svensson Trio Live in Gothenburg ACT Music 2019 At the time, it was a marvel. The Esbjorn Svensson Trio had already come a long way since their early-'90s beginnings in reshaping the already-skewed traditions of Monk-ian jazz. Their audiences back in 2001 would have been continually thrilled at discovering this ...
Phil Ranelin: Phil Ranelin Collected 2003-2019
by Chuck Koton
One day, in Indianapolis in 1948, a nine year old Phil Ranelin made a fateful visit to his paternal grandmother's home. She was a real music buff and that afternoon, before she went to do some work out back, she told young Phillip, “Any of these records, feel free to play 'em and see what kind ...
Istanbul Jazz: So Close to the Music, So Far From New York
by Arthur R George
That any musician, old cat, young lion, or apprentice anywhere, endeavors in jazz is amazing enough, given the elusiveness of “success." That is even more true in Istanbul, Turkey: not a conventional jazz capitol, far from the African-American roots of jazz, and even beyond the music's major continental domiciles. Yet the tilting cobblestoned streets of the ...
Lafayette Gilchrist: Dark Matter
by Jerome Wilson
It would seem almost impossible by this point for a jazz pianist to avoid common modern influences like Bud Powell, Bill Evans, McCoy Tyner or even Cecil Taylor, but somehow Lafayette Gilchrist falls outside all of those parameters. On this solo concert recorded at the University of Baltimore in 2016, he shows a keyboard style built ...
Impressions of Coltrane
by Bob Osborne
To mark reaching the 350th edition of World of Jazz a show focusing on the music of John Coltrane with music from the man and also interpretations of his compositions by other jazz artists.... Playlist John Coltrane “Billie's Bounce" from The Prestige Recordings (Prestige) 00:00 Khan Jamal “Blues for P.C." from Impressions of Coltrane (Steeplechase) 10:44 ...
Florian Hoefner Trio: First Spring
by Dan McClenaghan
Many piano trios reach back to past masters for inspiration, playing in the style of Bud Powell, Bill Evans, Oscar Peterson. Others craft their sounds under the influence of contemporary players: Herbie Hancock, Brad Mehldau, McCoy Tyner, Kenny Barron, Ahmad Jamal. On the other hand, the occasional piano trio comes down the road rolling its own ...
2019 Detroit Jazz Festival
by C. Andrew Hovan
Detroit Jazz Festival Hart Plaza Detroit, Michigan August 30-September 2, 2019 According to the official count, the 40th edition of the largest free jazz festival in North America drew a record crowd numbering some 325,000. Boasting four stages as part of the festival footprint, there seemed to be a reduction in ...
Meet Andrew Rothman
by Tessa Souter and Andrea Wolper
Lawyer, audiophile, lifelong arts enthusiast, our newest Super Fan's life plan was to be a classical pianist, until college took him in another direction. But it was two “major epiphanies" (the first time he heard Miles Davis and, later, Bill Evans) that turned him into a jazz Super Fan--such a Super Fan, in fact, that he ...
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