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Nate Wooley: Seven Storey Mountain VI
by Karl Ackermann
From 2010 onwards, composer-trumpeter Nate Wooley has explored creative music as a solo artist and through a spectrum of collaborators such as Ingebrigt Håker Flaten, Mary Halvorson, Ken Vandermark, and Matthew Shipp. These projects have been offset by Wooley's Seven Storey Mountain succession of releases; Seven Storey Mountain VI is a masterwork of expressionist passion and ...
Matthew Shipp / Rob Brown: Then Now
by John Sharpe
Then Now presents a reprise of both pianist Matthew Shipp's and alto saxophonist Rob Brown's debut recording, a duet entitled Sonic Explorations (CJR, 1988). Though they have occasionally collaborated since—last heard together on Magnetism(s) (Rogue Art, 2017) alongside bassist William Parker—this is their first album as a twosome since Blink Of An Eye (No More, 1997). ...
Matthew Shipp: The Unidentifiable
by Dan McClenaghan
We can talk about a Bud Powell school of the piano trio, or a Bill Evans school of the piano trio, but maybe it is time to start talking about Mathew Shipp's trio school, with bassist Michael Bisio and drummer Newman Taylor Baker. Shipp has been around the jazz scene for three decades. He has developed ...
Rob Brown - Matthew Shipp: Then Now
by Glenn Astarita
Much could be written about pianist Matthew Shipp and saxophonist Rob Brown's respective legacies within progressive jazz and improvisational circles in the US and abroad. Hence, these narratives are well-documented spanning several decades. On this release, the duo aligns for the third time, following Sonic Explorations (Cadence, 1988) and Blink of an Eye (No More Records, ...
Billy Mohler, Mat Walerian, Larry Ochs, Aram Shelton, Alister Spence and More
by Maurice Hogue
I was so taken by bassist Billy Mohler's playing with the Dan Rosenboom Quartet which opens this show, I had to go find Mohler's music. He's featured in the third hour. Also featured are a bunch of great new releases: multi-reedist Mat Walerian with a superb band of Matthew Shipp, William Parker and Hamid Drake, saxophonists ...
Jeff Cosgrove, John Medeski, Jeff Lederer: History Gets Ahead of the Story
by Ian Patterson
The striking absence of a bassist on this organ-trio tribute to William Parker speaks volumes about the singular approach that Jeff Cosgrove, John Medeski and Jeff Lederer have taken to the compositions of a modern jazz great. Parker's music is so diverse, his output so vast, that a cohesive overview would be difficult to distil onto ...
Matthew Shipp Trio: The Unidentifiable
by Karl Ackermann
With each successive project, the prolific Matthew Shipp takes the art form to seemingly unstainable heights and then persists in pushing the bar further along. Shipp began his recording career with a trio project, Circular Temple (Quinton Records, 1992) featuring William Parker and Whit Dickey, two artists that have retained close professional ties to the pianist/composer. ...
TEST with Roy Campbell: Live at The Hinton House
by Mike Jurkovic
More exquisite madness from Brooklyn's barn burning free jazz label 577 Records, home to the free and the brave. This time it's a hard core NY borough blowout recorded live in April 1999 that cantankerously and vividly chronicles the only known performance of the late, free/avant, Harlem/NoBro legend, trumpeterRoy Campbell. Unrestrained, Campbell raises the ...
Ivo Perelman / Matthew Shipp: Amalgam
by John Sharpe
Amalgam constitutes the seventeenth disc, spread across ten albums from the near symbiotic union of Brooklyn-based Brazilian tenor saxophonist Ivo Perelman and American pianist Matthew Shipp. And that doesn't even touch on Perelman's many trio and quartet dates which include Shipp. So it's fair to say that they know each other's unique styles fairly well by ...
Heavy Rotation For A Pandemic Summer
by Mark Corroto
In the summer of 2020 one result of the COVID-19 isolation, and artists inability to tour and perform is that they have time to deal with projects halted by this pandemic. Musicians, producers, and engineers have mixed, mastered and released an abundance of music. Many of the titles have been, and will be covered by our ...
