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Noah Preminger: Genuinity
by Mark Corroto
Quite often when an über-talented musician records a disc under his own name, he uses sidemen of lesser talent so as not to detract from his moment in the limelight, or because his ego won't allow him to play nice. That has never been the case with saxophonist Noah Preminger. On Genuinity, his tenth disc released ...
NYC Winter Jazzfest 2018 - The Friday Marathon
by Dan Bilawsky
NYC Winter Jazzfest The Friday Marathon New York, NY January 12, 2018 As the setting sun ushered in the first of two NYC Winter Jazzfest marathon nights on Friday, January 12, the only thing that seemed to be missing was winter itself. After coping with a deep freeze for weeks, ...
Tyshawn Sorey: Verisimilitude
by Giuseppe Segala
Il tocco ricco di sottili contrasti dinamici che Tyshawn Sorey mette in risalto alla batteria si avvicina per ampiezza espressiva a quello delle dita su un pianoforte: dalla pennellata acquosa al colpo ovattato, dall'urto leggero alla cupa, vigorosa stoccata. Sempre restando nell'ambito di una gamma elastica, mobile, rilassata. Una qualità che, unita alla plastica intelligenza musicale, ...
Forage
Label: Screwgun Records
Released: 2017
Track listing: Paene; Traces; Aas; Ray; Cerb; Cloude; Siin.
John Sharpe's Best Releases Of 2017
by John Sharpe
Here are ten new releases and two partial reissues, reviewed on All About Jazz, which stood out among the 200 or so discs that I heard this year. Sylvie Courvoisier / Mary HalvorsonCrop Circles (Relative Pitch Records) Over the last fifteen years or more, pianist Sylvie Courvoisier and guitarist ...
Il meglio del 2017 secondo Luca Canini
by Luca Canini
Un altro anno di ascolti, un altro bilancio da tracciare. Dodici dischi per dodici mesi. Difficile. Difficilissimo. Ma in fondo divertente. E forse anche un po' utile: per chi compila e per chi legge. Un altro anno di ascolti, un altro anno di grande musica. Con Steve Coleman e Craig Taborn davanti a tutti per meriti ...
Matt Mitchell, un pianoforte declinato al futuro
by Luca Canini
Se da un lato c'è Tim Berne che ti affida le chiavi del suo quartetto, e dall'altro Steve Coleman che al momento di mettere qualcuno davanti a una tastiera non esita a comporre il tuo numero, vuol dire che qualcosa di buono al pianoforte lo sai fare. Certo, poi serve anche altro per uscire definitivamente allo ...
October Revolution in Jazz & Contemporary Music 2017
by Mark Corroto
October Revolution In Jazz & Contemporary Music FringeArts Philadelphia, PA October 5-8, 2017 The main venue for The October Revolution in Jazz & Contemporary Music was FringeArts, a renovated historic pumping station for Philadelphia's fire department located in the shadow of the Benjamin Franklin Bridge. It seats 240 ...
Tim Berne: Incidentals
by Mike Jurkovic
Through three previous releases on ECM, (including the widely hailed 2015 release You've Been Watching Me alto saxophonist Tim Berne's sonic amalgamation Snakeoil has proven itself an often knotty and dissonant band of free creators, making them the perfect vehicle for Berne's often knotty and dissonant musical ideas.But it's mind boggling on many levels ...
Mario Pavone Dialect Trio: Chrome
by Dan McClenaghan
Piano trios seeking a level of parity of instrumental input are common. Those who achieve a high level of piano/bass/drums democracy develop a group sound born of a melding of musical personalities. With strong personalities all around--as on the Mario Pavone Dialect Trio--a beautiful tumult is born. Chrome is bassist Pavone's second Dialect Trio ...
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