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Richard Pinhas / Tatsuya Yoshida / Masami Akita: Process And Reality
by Mark Corroto
Since guitarist Richard Pinhas' returned to music in the 1990s, his appetite for touring and recording with various artists has produced an impressive array of albums. Another generation knows him from his 1970s work with the prog/space/electronic rock outfit Heldon. Current listeners await each new solo release and encounters with the likes of science fiction writers ...
Chicago / London Underground: A Night Walking Through Mirrors
by Karl Ackermann
As an artist and a surveyor of a broader universe, Rob Mazurek focuses on the journey rather than on planting a flag in undiscovered territories. Whether on his multi-instrumental solo work Mother Ode (Corbett vs Dempsey, 2014) or in the large ensemble formation of his most recent Exploding Star Orchestra project, Galactic Parables: Volume 1 (Cuneiform, ...
Mats Gustafsson & Craig Taborn: Ljubljana
by Mark Corroto
Congratulations to whomever conceived of this pairing of two improvised music giants. Pianist Craig Taborn and saxophonist Mats Gustafsson, both born in the great white north (so to speak), Taborn in Minneapolis and Gustafsson, Umeå, in Northern Sweden. Both are original and distinctive improvisers whose paths had never crossed until the 2015 Ljubljana Jazz Festival.
The DKVThingTrio: Collider
by Giuseppe Segala
Le ance di Ken Vandermark e Mats Gustafsson si sono spesso incrociate in avventure intrepide fin dalla metà degli anni Novanta. Nel 2013 erano giunte per la prima volta a confrontarsi in duo e ne era scaturito il notevole CD Verses, che nuovamente mostrava la forza empatica e l'ampia gamma espressiva/esplorativa di un'interazione basata sullo scandaglio ...
Jari Haapalainen Trio: Fusion Machine
by Mark Corroto
Short sharp shocks, describes the music of Fusion Machine. The twenty-eight minutes of sound is Jari Haapalainen's knuckle sandwich of a recording. Actually it's thirteen jabs, hooks, and uppercuts; let's call them the track list. The disc contains no composition longer than two minutes-fifty, the shortest, “Flykten Från Djursholm" (Escape From Djursholm), is just 1:34.
Il meglio del 2016 secondo Luca Vitali
by Luca Vitali
Un 2016 iniziato sotto la stella nera di Bowie e la sua dipartita inimmaginabile e, verrebbe da dire, teatrale... come sempre. Blackstar per mille ragioni è il mio disco dell'anno, ma l'uomo che cadde sulla Terra è tornato su Marte e ci guarda da una diversa prospettiva... Quaggiù, è stata un'annata niente male che ...
Jazz Stories: 2016
by Michael Ricci
All About Jazz--a longstanding internet destination for all things jazz--is a community bound by its love of the music. Since March, we've solicited jazz stories from our members asking them to answer any of a handful of questions and we wanted to recognize some of our submissions from 2016. New stories arrive daily and ...
MG50 Peace & Fire
Label: Trost Records
Released: 2016
Track listing: (CD1) Peace; Fire; Birthday Boy; Part Of Klingend Und Festgehalten; I Didn't
Know What Time It Was; I Cover The Waterfront; Lidingö Airport; Quincy; Du
Glädjerika Sköna; Mäster; (CD2) I Accept My Longing. The Travels.; Wien;
Molting Slowly (Without Noticing); Exit Part Two; Would I Whip; (CD3)
Konstellation; Intervention; One; Two; Unnoticed. I Battle.; Unheard. I Yiel.;
Unseen. I Mirror The Perspectives.; (CD4) Miramar; Summer With M.; M.G. -
Fifty Is Just The Beginning…; MatsMatMaM / MatsAtsTsS; Urban Pipes; Vienna
Upstairs; Ha Den Äran.
Mats Gustafsson
by Paolo Peviani
Il tratto principale della mia musica Devono giudicarlo gli altri. La qualità che desidero nei musicisti che suonano con me La dedizione e il fuoco. Come musicista, il momento in cui sono stato più felice Sempre il momento che verrà. Come musicista, il mio principale difetto
