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DKV & Joe McPhee: The Fire Each Time
by Mark Corroto
Do you participate in the 21st century phenomena called 'binge-watching'? With the advent of Netflix and downloadable television, consumers can view an entire television series in one sitting. Be it eight episodes of Russian Doll or sixty hours of The Wire, it's all available, and the possibilities to feast are tempting. Where a filmmaker might have ...
Liudas Mockūnas: Hydro 2
by Mark Corroto
Hydro 2 is water music, but it's not to be confused with the orchestral pieces composed by George Frideric Handel back in the early 18th century. Lithuanian saxophonist Liudas Mockūnas is headed even further back in time, back to some Darwinian vision of evolution from the murky primordial seas, forward to our bipedal momentum. Note: If ...
Belgrade Jazz Festival 2018
by Martin Longley
Belgrade Jazz Festival Dom Omladine/Kombank Dvorana Belgrade, Serbia October 25-29, 2018 The 34th edition of the Belgrade Jazz Festival maintained its exciting strategy of diverse programming, from Kurt Elling to The Thing, Marc Ribot to Bobby Shew, Cortex down to The Necks. That's already an enticing blend of ...
Eraldo Bernocchi: Like A Fire That Consumes All Before It
by John Ephland
RareNoise is one of those labels, one of those rare (no pun intended) labels, where format and style have become irrelevant. A recent sampling of the soon-to-be historic label should suffice in telling their ongoing musical odyssey. Pit one against the other: 2018's Anguish, featuring among others, Nordic phenom Mats Gustafsson in a wild-haired hoedown of ...
Svårmod Och Vemod Är Värdesinnen
Label: RareNoiseRecords
Released: 2018
Track listing: Svårmod; Vemod; Translated Slaughter; Don't Wait; Rich And Poor; Both Sides Out
The Hands
Label: Rune Grammofon
Released: 2018
Track listing: The Hands; When Her Lips Collapsed; Touches Me with the Tips of Wonder; Washing Your Heart in Filth; Up And Down; To Shave the Leaves, in Red, In Black; I Guard Her to Rest, Declaring Silence.
The Way Ahead: Bells, Ghosts and other Saints
by Mark Corroto
Perry Farrell, of the rock band Jane's Addiction, might have said/sung it best in 1988, on the track “Ted, Just Admit it..." when he whispered “Nothing's Shocking." Indeed, nothing is in the 21st century. Marcel Duchamp's painting “Nude Descending a Staircase, No. 2" (1912) is mostly admired today, and certainly not the trigger for a riot. ...
Mars Williams: An Ayler Xmas Volume 2
by Mark Corroto
Recently, a major motion picture studio remade the 1967 animation classic How the Grinch Stole Christmas!, starring the voice of Boris Karloff. You might remember the animated cartoon was based on the book of the same name by Dr. Seuss. The 21st century's computer-animation is an abomination, an insult to our childhood innocence, just as the ...
The End: Svårmod Och Vemod Är Värdesinnen
by Vitalijus Gailius
The End emerge as a massive collaboration among Norwegian baritone saxophonist Kjetil Møster, Swedish baritone sax hooligan Mats Gustafsson, Norwegian noise-jazz guitarist Anders Hana, the San Francisco-based avant-rock band Deerhoof drummer Greg Saunier and miraculous singer Sofia Jernberg. The quintet's debut “Svårmod Och Vemod Är Värdesinnen" manages to grasp several musical traditions. It sounds ...
Cory Smythe: Circulate Susanna
by Karl Ackermann
Cory Smythe tells stories. About stories. Specifically, a father's tales in the rural heartland of America; ingredients that a listener might assume had shaped Smythe's imagination in ways that go far beyond music. But like the Stephen Foster discs spinning on the gramophone as a tornado approaches, Smythe's nostalgic and inspirational world is liner-note fantasy. Nevertheless, ...
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