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Anthony Braxton: Creative Orchestra (Koln) 1978
by Jeff Stockton
Jazz is often viewed as a progressive art form, one that by its very nature is constantly changing and reinventing itself. The paradox is that change isn't always what the audience wants to hear, so it frequently takes awhile simply to catch up. Such seems to be the case with the music of Anthony Braxton, one ...
Allison Miller: Breaking Ground
by Franz A. Matzner
It takes a rare individual to excel in multiple artistic genres, particularly when success unfolds in the public spotlight and presents very different contexts. Certainly technical ability is important, but it also takes a peculiar blend of flexibility, curiosity, and determination. Perhaps that is what makes drummer, composer, bandleader, and outspoken feminist Allison Miller such a ...
Anthony Braxton: Creative Orchestra (Koln) 1978
by Glenn Astarita
Composer and multi-reedman Anthony Braxton's complex and personalized compositional paradigms emanated in the 1960s, underscored by 12 language types, diagrams, and other methodologies to complement the improvisation aspect. On this double-disc, 2009 reissue of a 1978 concert, Braxton employs a diverse dream team including reedmen Marty Ehrlich and Ned Rothenberg and trumpeter Kenny Wheeler. Consequently, Braxton ...
Allison Miller: Boom Tic Boom
by Mark Corroto
Just say yes to records led by drummers. Why? Because drummers may rarely be the leaders or composers, but they're always the soul of any good recording. Where's Coltrane without Jones, or Jarrett without DeJohnette? Nowhere. That's why, when a session is commanded by a percussionist, as is Boom Tic Boom by drummer Allison Miller, there ...
Hot and Cool: 40 Years of Jazz at NEC
by Marcia Hillman
New England Conservatory (NEC) is celebrating the 40th anniversary of being America's first fully-accredited Jazz Studies Program at a music conservatory. The merriment kicked off in NEC's home of Boston with a week of events in October 2009, culminating in a performance by the Wayne Shorter Quartet accompanied by the school's Philharmonia, a merger between jazz ...
The Jazz Session #134: Marty Ehrlich
Marty Ehrlich is everywhere. Since moving from St. Louis to New York in 1978, Ehrlich has established himself as both an in-demand sideman and a leader with a distinct and multi-faceted musical vision. His CD Things Have Got To Change (Clean Feed, 2009), finds Ehrlich leading his Rites Quartet through a program of music written by, ...
Things Have Got To Change
Label: Clean Feed Records
Released: 2009
Track listing: Rites Rhythm; Dung; Some Kind of Prayer; On the One; Slices of Light; Song for Tomorrow; From Strength to Strength; Dogon AD.
Anthony Braxton: Creative Orchestra (Koln) 1978
by Troy Collins
The 1970s were an exceedingly fertile time period for composer Anthony Braxton, whose considerable output was primarily documented by Arista Records, including his Creative Orchestra Music, which encapsulated the entire history of jazz--from Scott Joplin to Albert Ayler. One of these albums, the seminal Creative Orchestra Music 1976, was recently reissued as part of Mosaic Records' ...
Got Bass Clarinet? Jason Stein Does
by Mark Corroto
In the short history of jazz--only about 110 years--the bass clarinet has had an even shorter existence. Students of Charles Darwin's evolutionary studies might point towards the adaption of the instrument into the new jazz of the 1960s; or perhaps the branch of evolution studies called biogeography might explain that fertile locations spawn growth in the ...
Marty Ehrlich Rites Quartet: Things Have Got To Change
by AAJ Italy Staff
Things Have Got to Change del quartetto del sassofonista Marty Ehrlich è il secondo disco nel giro di pochi mesi, dopo il fantastico Historicity di Vijay Iyer, a contemplare nella propria scaletta un capolavoro negletto del jazz contemporaneo come “Dogon A.D." di Julius Hemphill. In questo caso la circostanza non dovrebbe sorprendere più di tanto, dal ...
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