Results for "Marty Ehrlich"
Marty Ehrlich is one of the most celebrated artists of his generation, critically acclaimed as both composer and player. Equally fluent on clarinet, saxophone, and flutes, Ehrlich has been hailed as “one of the most formidable multi-instrumentalists since Eric Dolphy…the jazz dream musician” (The Village Voice). The New York Times calls him “one of the premier melodicists of his generation,” and The Nation “one of his time’s most original thinkers (with) a rare and wonderful talent, a now yearning, now biting attack and a stunningly voice-like expressiveness.” Jazz Zeitung states: “If there is a believable poetic sensibility in jazz, you will find it with Marty Ehrlich.” The Jazz Journalist Association honored him as Wind Player of the Year in 2001 and as Clarinetist of the year in 2003
Label: New World Records
Track listing: CD 1The Boyé Multi-National Crusade for Harmony I: Dear Friend; Zuli; Band Introduction; At Harmony; Air Rings; Dimples: The Fat Lady on Parade.
CD 2The Julius Hemphill/Abdul Wadud Duo: Syntax; Tightenin’; Slang; Unknown Title; Rhapsody; Downstairs.
CD 3The Janus Company: Opener; #4; #3; Collective Improvisation; Dogon A.D.
CD 4Chamber Music: Parchment (1988); Mingus Gold (1988); Nostalgia in Times Square; Alice’s Wonderland; Better Get Hit in Your Soul; Daedalus String Quartet: Unknown Title No. 1 (1981); Unknown Title No. 2 (1981).
CD 5Roi Boyé Solo and Text: Trills; Unfiltered Dreams; Wade in the Water; Change My Clothes.
CD 6The Boyé Multi-National Crusade for Harmony II: K.C. Line; Testament #5; Song Suite: At Harmony; Sixty/Sixty; Astrid; Mailika; Pull It; Rites; Pigskin; For Billie (for Billie Holiday); One/Waltz/Time.
CD 7Live at Joyous Lake: Mirrors; Dung; Band Introduction; Would Boogie.
by Karl Ackermann
Bassist Kevin Ray has recorded or played with John Stubblefield, Oliver Lake, Greg Osby, Andrew Hill, Marty Ehrlich, Elliott Sharp, John Hicks, Hamiet Bluiett and Nels Cline. Ray has performed in the premieres of works by Joe McPhee, Leroy Jenkins and others. The bassist co-leads the adventurous trio 10³²K's with trombonist/trumpeter Frank Lacy, percussionist Andrew Drury ...
by Giuseppe Segala
Nel 2011 il sassofonista di Filadelfia Bobby Zankel, leader della big band The Warriors of the Wonderful Sound e promotore di laboratori di musica contemporanea, propose a Muhal Richard Abrams un lavoro compositivo che avrebbe dovuto essere affidato alla band, con la direzione dello stesso pianista. Operazioni di questo tipo erano già state realizzate da Zankel ...
by Karl Ackermann
Bassist and composer Mario Pavone died on May 15, 2021, after a seventeen-year battle with cancer. The Connecticut native had many interests and earned a degree in engineering, a Doris Duke Foundation grant and, for a quarter-century, shared his wisdom and talent with kids at the Litchfield Performing Arts Jazz Camp, where he also served as ...
by Stefano Merighi
Che trionfo per Julius Hemphill! A dispetto delle poche pagine--o righe--che le recenti storie del jazz dedicano al maestro di Fort Worth, Hemphill emerge da questo cofanetto di inediti come sassofonista-improvvisatore-compositore tra i più profondi della musica afroamericana nei decenni compresi tra gli anni '70 e '90. E questa preziosa edizione non solo ...
by Mark Corroto
There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill's recordings Dogon A.D. (Mbari, 1972) and 'Coon Bid'ness (Arista/Freedom, 1975). Both five star recordings, now out of print, cost a small fortune ...
by Victor L. Schermer
Muhal Richard Abrams (1930-2017) was a revered pianist, composer and teacher of great capability and range who, in addition to his own achievements, inspired and influenced many jazz musicians in both the mainstream and avant-garde categories. Largely self-taught as a result of a personal decision to follow his own path, and early on pursuing church music, ...
by John Pietaro
Allison Miller sits at the vintage Camco drumkit in her Brooklyn home, playing post-bop over a rolling samba. Within the shimmer of an age-darkened cymbal, she switches from sticks to brushes, filling the room with the shush of summer rain, then a sudden hailstorm as her arms, aerial, traverse snare, tom-toms and cymbals in a blurring, ...