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Marty Ehrlich Trio Exaltation: This Time
by Alberto Bazzurro
La prima cosa che ci colpisce--e ci sorprende, anche--di questo album è il fatto che un polistrumentista di regola vorace come Marty Ehrlich vi si dedichi praticamente a senso unico al sax alto, con la sola eccezione di “This Space, This Time," in cui passa al tenore, lasciando tuttavia in un angolo tutto il resto del suo vasto armamentario strumentale. Poi il linguaggio, certo attualissimo, ma non spinto in avanti come in altre occasioni, con portati tematici molto ...
Continue ReadingMarty Ehrlich's Trio Exaltation, Loot, Enemy & Cosmic Ear
by Maurice Hogue
The much respected woodwind master, Marty Ehrlich, has a thing about trios--he feels a trio is a perfect vehicle to get to the essential core of music. Ehrlich has fronted several great trios with the most recent being Trio Exaltation. The 2018 debut of that band with bassist John Hébert and drummer Nasheet Waits was met with much acclaim and now they're back with This Time. It's terrific and it's the feature in this episode of One Man's Jazz. Actually, ...
Continue ReadingAndrew Hill Sextet Plus 10: A Beautiful Day, Revisited
by Alberto Bazzurro
Registrato dal vivo al Birdland dal 24 al 26 gennaio 2002, il materiale di questo doppio CD (nonché doppio vinile) raggiunge oggi i quasi 83 minuti di durata, aggiungendo, rispetto all'edizione originaria uscita pochi mesi dopo il concerto, un'alternate take inedita del brano che intitola l'album e una versione ampliata di “11/8," riposizionando nel contempo i nove brani complessivi in quanto a “ordine di apparizione." Ne vien fuori un'opera che possiamo tranquillamente definire monumentale, anche proprio per la ...
Continue ReadingAndrew Hill Sextet Plus Ten: A Beautiful Day, Revisited
by Dan McClenaghan
The heyday of pianist Andrew Hill (1931-2007) happened during his hang with Blue Note Records, where he released ten albums between 1963 and 1970, including 1964's Black Fire, a splendid quartet session featuring saxophonist Joe Henderson; 1964's Point Of Departure), that featured a freewheeling sextet that included Henderson, multiple reedist Eric Dolphy and trumpeter Kenny Dorham; to Passing Ships (1969), with an exuberant multi-horn group that included trumpeter Woody Shaw, trombonist Julian Priester and flutist Joe Farrell. For those with ...
Continue ReadingChristy Doran: in The Corner Of The Eye
by Ian Patterson
For forty years, Irish-born, Lucerne-based guitarist Christy Doran has recorded prolifically for numerous labels. Inevitably perhaps, many of his earlier works are out of print, so it's cause for celebration that this release brings together the very best of Phoenix (hat Art, 1990) and What a Band (hat Art, 1992), two long-neglected yet essential Doran recordings. The majority of Doran's releases have been with bands, from the seventies jazz-rock/free jazz group OM to New Bag, his main working ...
Continue ReadingWarriors of the Wonderful Sound: Soundpath
by Mark Corroto
If we alter President John F. Kennedy's 1962 moon spaceflight speech just a bit, it easily fits the big band adaptation of Muhal Richard Abrams' magnum opus Soundpath, “We choose to perform this composition not because it is easy, but because it is hard, because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept." Accepting the challenge was band leader Bobby Zankel and ...
Continue ReadingWarriors of the Wonderful Sound: Soundpath
by Giuseppe Segala
Nel 2011 il sassofonista di Filadelfia Bobby Zankel, leader della big band The Warriors of the Wonderful Sound e promotore di laboratori di musica contemporanea, propose a Muhal Richard Abrams un lavoro compositivo che avrebbe dovuto essere affidato alla band, con la direzione dello stesso pianista. Operazioni di questo tipo erano già state realizzate da Zankel negli anni precedenti con le musiche per big band di Julius Hemphill, dirette da Marty Ehrlich, poi con composizioni di Rudresh Mahanthappa e Steve ...
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